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X-WR-CALNAME:Bulwagan ng Dangal University Heritage Museum - University of the Philippines Diliman
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X-WR-CALDESC:Events for Bulwagan ng Dangal University Heritage Museum - University of the Philippines Diliman
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DTSTART:20170101T000000
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DTSTART;TZID=Asia/Shanghai:20180511T000000
DTEND;TZID=Asia/Shanghai:20180711T235959
DTSTAMP:20240529T081132Z
CREATED:20240529T081132Z
LAST-MODIFIED:20240529T081132Z
UID:849-1525996800-1531353599@bulwaganngdangal.upd.edu.ph
SUMMARY:Super Robot – Suffer Reboot
DESCRIPTION:The 70’s was a decade that expanded humanity’s horizons. In outer space\, Viking 2 lands on Mars. The world’s first test tube baby is born. Personal computers and mobile phones make their debut. Atari finds its way to many homes. Microsoft and Apple are founded. Betamax is introduced. Star Wars captures the imagination of a generation. And super robots like Voltes V\, Daimos\, Mazinger Z\, Mekanda Robo\, appear on Philippine state-controlled television. Filipino children learn to sing their Japanese theme songs by heart\, probably more so than the patriotic anthems of the Bagong Lipunan. \nThe 70’s was also a tumultuous decade. The Beatles break up. Elvis Presley dies. The Vietnam War ends. The Pol Pot and the Khmer Rouge take over Cambodia. The Jonestown Incident happens. Nixon resigns after being implicated in the Watergate Scandal. Harvey Milk\, an openly gay politician\, gets elected into office\, and is soon after assassinated. In the Philippines\, martial law is declared. The short lived Diliman Commune happens as a response to the rising cost of fuel. People talk about a boy who fell from the sky\, being thrown from a helicopter as payment for his father’s expose. A youth leader is found dead two days after he openly questions the legitimacy and credentials of the President’s daughter to head the Kabataang Baranggay in a public forum. Many others disappear. Countless others land in jail. The super robots are pulled off air after a year. A generation of children question what could be wrong\, when these super robots represent the good triumphing over tyranny and evil. \nThis is the backdrop to a young boy’s coming of age\, which becomes the material for Super Robot – Suffer Reboot\, a collection of nearly a decade’s work of Toym Imao where a curious mix of robots\, dictators\, and martial law begs the question\, does history repeat itself?
URL:https://bulwaganngdangal.upd.edu.ph/event/super-robot-suffer-reboot/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Poster-3.jpg
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DTSTART;TZID=Asia/Shanghai:20180716T000000
DTEND;TZID=Asia/Shanghai:20180810T235959
DTSTAMP:20240529T081512Z
CREATED:20240529T081512Z
LAST-MODIFIED:20240529T081512Z
UID:852-1531699200-1533945599@bulwaganngdangal.upd.edu.ph
SUMMARY:Linescapes: Aestheticizing Chaos of Urban Infrastructure
DESCRIPTION:In this MFA degree exhibition\, Annie Pacaña explores the layers of meanings encrypted in the city’s urban forms as she explores linescapes\, kaleidoscapes and soundscapes. Here\, a flattening of the city is explored through photography and drawing\, and set into motion via digital media\, which are the proponent’s tools as a visual communicator. Even the city’s soundscape\, its pulse\, its irregular heartbeat\, is a multi-layered waveform creating an interference – a disruption\, a disturbance\, a displacement\, whose chaos one can come to appreciate. All the images utilized are culled from the proponent’s own travels around Metro Manila in the course of her study from 2015\, reflecting her accumulating and compounding connection with the city as she traverses it day by day on foot\, by car\, or by train.
URL:https://bulwaganngdangal.upd.edu.ph/event/linescapes-aestheticizing-chaos-of-urban-infrastructure/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Linescapes-Poster.jpg
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