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PRODID:-//Bulwagan ng Dangal University Heritage Museum - University of the Philippines Diliman - ECPv6.16.5.1//NONSGML v1.0//EN
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X-WR-CALNAME:Bulwagan ng Dangal University Heritage Museum - University of the Philippines Diliman
X-ORIGINAL-URL:https://bulwaganngdangal.upd.edu.ph
X-WR-CALDESC:Events for Bulwagan ng Dangal University Heritage Museum - University of the Philippines Diliman
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TZID:Asia/Shanghai
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TZOFFSETFROM:+0800
TZOFFSETTO:+0800
TZNAME:CST
DTSTART:20150101T000000
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BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20160201T000000
DTEND;TZID=Asia/Shanghai:20161007T235959
DTSTAMP:20240603T073555Z
CREATED:20240603T072301Z
LAST-MODIFIED:20240603T073555Z
UID:928-1454284800-1475884799@bulwaganngdangal.upd.edu.ph
SUMMARY:Tao at Tahan: Citizen Refugees\, Contentious Histories
DESCRIPTION:
URL:https://bulwaganngdangal.upd.edu.ph/event/tao-at-tahan-citizen-refugees-contentious-histories-2/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
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BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20160405T000000
DTEND;TZID=Asia/Shanghai:20160412T235959
DTSTAMP:20240527T021205Z
CREATED:20240513T043926Z
LAST-MODIFIED:20240527T021205Z
UID:370-1459814400-1460505599@bulwaganngdangal.upd.edu.ph
SUMMARY:SAMIN
DESCRIPTION:SAMIN is a multimedia exhibit by UP ACTS created with the question in mind: “what is Filipino fashion?” UP ACTS recognizes the problem in the difficulty of answering that question and relates it to the often grey interpretation of what the Filipino national identity is. Samin in Cebuano means\, “mirror” and is also meant to be a play on the words\, “sa” + “amin”. Through various artworks\, photographs\, and installations\, the exhibit will be an intermingling of art and fashion that invites viewers to think about their perception of Filipino fashion in a contemporary context and how that reflects upon their self\, society\, and our national identity. It is not intended to give an answer to the question\, but ultimately inspire an interest in discovering what makes Filipino fashion ours in such a global and dynamic field. \nAlongside the main theme\, this exhibit will also serve as an avenue for local Filipino artists to showcase their work and reach a wider audience. In addition\, a space in the exhibit will feature UP ACTS and promote its four main thrusts: design\, management\, production\, and research.
URL:https://bulwaganngdangal.upd.edu.ph/event/samin/
LOCATION:Bulwagan ng Dangal Main Hall and Atelyer Gallery
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Samin-Poster.jpeg
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BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20160426T000000
DTEND;TZID=Asia/Shanghai:20160518T235959
DTSTAMP:20240604T053708Z
CREATED:20240513T050223Z
LAST-MODIFIED:20240604T053708Z
UID:375-1461628800-1463615999@bulwaganngdangal.upd.edu.ph
SUMMARY:Human Seascape
DESCRIPTION:Human Seascape \n“Human Seascape” is based on my years-long journey that took place in the seas surrounding Japan\, Korea and the Philippines mainly along the Kuroshio and Tsushima Warm currents\, exploring lives and worldviews inspired by people who live with the sea. \nThe exhibition consists of video work and documents and a series of photographic diary I have produced\, and a series of drawings done by the people I have encountered with throughout the course of my exploration. \nFor me\, they are one of the most inspiring living examples of ways of human being that extends our idea of what human is with their very presence beyond existing restrictions we tend to impose on ourselves in contemporary society\, a fertile color of spectrum called human that provides me a conceptual compass to explore human experience. I have produced and internationally exhibited a series of works that stemmed from deeply engaging with specific persons I encounter with through the course of my exploration. \nI devote myself to capturing the human seascape in which human beings exist solely with their given body and soul in the condition where life and death constantly washes over you as one irresistible wave in a boundless ocean. I believe such a “lifescape” exists simultaneously beyond time\, and in every immediate moment that passes by. For me\, it is an ontological quest\, before\, after and beyond all. \nIt all started about six years ago as I came across an old photo taken more than 60 years ago\, depicting two Japanese female divers standing and gazing out to sea. I was totally gravitated into the way two human beings seem totally being harmonized with the surrounding natural environment. \nSince then\, I have been exploring the life culture of female free divers known as Ama in Japan and Jamu-su or Haenyeo in Jeju and Korea. \nIn 2013\, I came across an essay written by Professor Cynthia Neri Zayas entitled “Ama (women divers) culture as a relic linking maritime Philippine culture.” \nThis imaginative essay has greatly encouraged me to expand my focal point of the fishery tradition currently practiced in the strait between Korean and Japan into something being part of much wider current of maritime human practice and has inspired me to envision a grand seascape that may unfold imaginative trail of journey all the way to the Southern seas. \nTo me\, what is suggested in her essay is a worldview seen from the sea\, inherited by the divers who are living embodiment of the life culture that originates in the sea\, nurtured by the sea and carried by tides and currents beyond restriction of borders. \nThe divers\, in their everyday lives and workings\, embody tolerance and visceral human experience\, as if transmitting ancient memory through their body\, what Professor Zayas might have described as “knowledge heritage” in her essay. \nSince 2015\, having their historical and possible ancestral linkage as a guide post\, I extended my field of exploration into the seas in the Southeast Asian region where I started off by visiting Ayoke Island in Surigao Del Sur where they practice small scale fishery that involves free diving\, as well as Matina Aplaya Bajau Comminty in Davao. \nI will be returning to both of the places this spring during my three-month long research project in an attempt to find a new form of language\, be it visual\, sound or bodily\, that speak of a world view seen from the sea that I am experiencing through my exploration\, and to keep imagining the world beyond that. \n-Terue Yamauchi \nAdditional details and pictures here: https://www.pssc.org.ph/wp-content/pssc-archives/Aghamtao/2016/3-rfz-Terue.pdf 
URL:https://bulwaganngdangal.upd.edu.ph/event/human-seascape/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Human-Seascape-Poster.jpeg
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