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PRODID:-//Bulwagan ng Dangal University Heritage Museum - University of the Philippines Diliman - ECPv6.18.3.1//NONSGML v1.0//EN
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X-WR-CALNAME:Bulwagan ng Dangal University Heritage Museum - University of the Philippines Diliman
X-ORIGINAL-URL:https://bulwaganngdangal.upd.edu.ph
X-WR-CALDESC:Events for Bulwagan ng Dangal University Heritage Museum - University of the Philippines Diliman
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TZID:Asia/Shanghai
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TZOFFSETFROM:+0800
TZOFFSETTO:+0800
TZNAME:CST
DTSTART:20110101T000000
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BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20120201T000000
DTEND;TZID=Asia/Shanghai:20120229T235959
DTSTAMP:20240526T134349Z
CREATED:20240515T123406Z
LAST-MODIFIED:20240526T134349Z
UID:541-1328054400-1330559999@bulwaganngdangal.upd.edu.ph
SUMMARY:Jose Joya: Artist\, Scholar\, Mentor
DESCRIPTION:At the prime of his career as an artist\, Joya was hailed as “prophet avatar of Expressionism\,” “exponent of pure painting\,” and “pillar of Philippine art.” He was the Filipino painter. The eminent art critic Leo Benesa once chronicled\, in the mid-60s\, Philippine painting was a Joya painting. \nJoya\, without doubt\, is a household name in Philippine art\, the way Juan Luna and Fernando Amorsolo might have enjoyed the distinction during their times. \nThe exhibit\, in retrospect\, presents the many avenues that Joya trekked to express his convictions and experiences as an artist\, mentor and scholar.
URL:https://bulwaganngdangal.upd.edu.ph/event/jose-joya-artist-scholar-mentor/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Cover-2.jpg
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DTSTART;TZID=Asia/Shanghai:20120213T000000
DTEND;TZID=Asia/Shanghai:20120309T235959
DTSTAMP:20240525T061013Z
CREATED:20240517T031617Z
LAST-MODIFIED:20240525T061013Z
UID:551-1329091200-1331337599@bulwaganngdangal.upd.edu.ph
SUMMARY:Ofelia Gelvezon-Tequi: Paintings & Prints
DESCRIPTION:The exhibit featured Téqui’s works from the 1980s to early 2000. Titles of some of her masterpieces are: Tropical Baroque (1983\, engraving on copper)\, Sudarium (1984\, etching/viscosity colour printing)\, St. Ofelia (1984\, etching/viscosity colour printing)\, Detail from the Sta. Ofelia Cycle (1985\, etching/viscosity colour printing)\, Where Why How (1995\, acrylic on rag paper)\, Ode (1996\, acrylic on linen)\, Visions of a Bodhisattva (1999\, acrylic on canvass)\, Visions of a Bodhisattva (2000\, etching/viscosity colour printing)\, and Talk to Me (2004\, collage). \nThe artist said her paintings and prints “deal with allegories of bad and good governments\, their repercussions on the common people and related themes relevant today\, Biblical scenes transposed in the Philippine setting\, as well as my Estampita prints.” \nWrite-up from Asia Research News
URL:https://bulwaganngdangal.upd.edu.ph/event/ofelia-gelvezon-tequi-paintings-prints/
LOCATION:Bulwagan ng Dangal Atelyer
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Ofelia-Invitation.jpg
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