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X-WR-CALNAME:Bulwagan ng Dangal University Heritage Museum - University of the Philippines Diliman
X-ORIGINAL-URL:https://bulwaganngdangal.upd.edu.ph
X-WR-CALDESC:Events for Bulwagan ng Dangal University Heritage Museum - University of the Philippines Diliman
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TZID:Asia/Shanghai
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DTSTART:20150101T000000
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BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20200723T000000
DTEND;TZID=Asia/Shanghai:20200723T235959
DTSTAMP:20260405T183309
CREATED:20240529T083050Z
LAST-MODIFIED:20240529T083058Z
UID:877-1595462400-1595548799@bulwaganngdangal.upd.edu.ph
SUMMARY:Lupang Hinirang: Mga Kuwento ng Pagsasalugar ng UP Diliman (Virtual Exhibit)
DESCRIPTION:Lupang Hinirang aims to commemorate the 70th year of the University’s move from its 10-hectare original site in Ermita\, Manila to its 493-hectare campus in Diliman through the lens of history\, narratives of place and the discursive potential of heritage studies. Through a combination of archival research\, oral history methods\, and installation art\, the exhibit will explore the contextual understanding of the relationship of history\, people\, site\, structures\, sound and material culture\, serving as the basis of understanding UP Diliman as an active heritage site.
URL:https://bulwaganngdangal.upd.edu.ph/event/lupang-hinirang-mga-kwento-ng-pagsasalugar-ng-up-diliman-virtual-exhibit/
LOCATION:Virtual
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/04/lupanghinirangvirtualsnap.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20190215T000000
DTEND;TZID=Asia/Shanghai:20190430T235959
DTSTAMP:20260405T183309
CREATED:20240529T082824Z
LAST-MODIFIED:20240529T082824Z
UID:874-1550188800-1556668799@bulwaganngdangal.upd.edu.ph
SUMMARY:Lupang Hinirang: Mga Kwento ng Pagsasalugar ng UP Diliman
DESCRIPTION:Lupang Hinirang aims to commemorate the 70th year of the University’s move from its 10-hectare original site in Ermita\, Manila to its 493-hectare campus in Diliman through the lens of history\, narratives of place and the discursive potential of heritage studies. Through a combination of archival research\, oral history methods\, and installation art\, the exhibit will explore the contextual understanding of the relationship of history\, people\, site\, structures\, sound and material culture\, serving as the basis of understanding UP Diliman as an active heritage site.
URL:https://bulwaganngdangal.upd.edu.ph/event/lupang-hinirang-mga-kwento-ng-pagsasalugar-ng-up-diliman/
LOCATION:Bulwagan ng Dangal Main Hall and Atelyer Gallery
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Poster-5.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20181201T000000
DTEND;TZID=Asia/Shanghai:20181205T235959
DTSTAMP:20260405T183309
CREATED:20240529T082623Z
LAST-MODIFIED:20240529T082623Z
UID:871-1543622400-1544054399@bulwaganngdangal.upd.edu.ph
SUMMARY:Tagpuan: Where Art and Healing Come Together
DESCRIPTION:Tagpuan: Where Art and Healing Come Together is a charity exhibit organized by the UP BS Interior Design Class of 2019 for the benefit of ECPAT Philippines\, Inc. (End Child Prostitution\, Child Pornography\, and Trafficking of Child for Sexual Purposes)\, a transitional home for children who were victims of sexual exploitation and human trafficking.
URL:https://bulwaganngdangal.upd.edu.ph/event/tagpuan-where-art-and-healing-come-together/
LOCATION:Bulwagan ng Dangal University Heritage Museum
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/png:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/tagpuan.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20181019T000000
DTEND;TZID=Asia/Shanghai:20181116T235959
DTSTAMP:20260405T183309
CREATED:20240529T082400Z
LAST-MODIFIED:20240529T082400Z
UID:868-1539907200-1542412799@bulwaganngdangal.upd.edu.ph
SUMMARY:Project Genome: Stasis and Mobility: Nasa dugo natin yan?!
DESCRIPTION:After the success of the UP Diliman Festival of Culture and the Arts 2018: Kat(h)awan: Bodies\, Society\, Culture\, UP Diliman continues the identification of the Philippine body as an important device in knowledge production with Bodies\, Science and Philippine Society\, or the celebration of the very first Science and Technology Month in UP Diliman. \nOne of the components of the said celebration is On Stasis and Mobility or Project Genome. This exhibit contributes to the discussion by expanding the concept of genetics into the idea of stasis and mobilities. We present in our exhibit that the genetic make-up of the individual is both permanent and changing.
URL:https://bulwaganngdangal.upd.edu.ph/event/project-genome-stasis-and-mobility-nasa-dugo-natin-yan/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Poster-4-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20181008T000000
DTEND;TZID=Asia/Shanghai:20181031T235959
DTSTAMP:20260405T183309
CREATED:20240529T082143Z
LAST-MODIFIED:20240529T082149Z
UID:862-1538956800-1541030399@bulwaganngdangal.upd.edu.ph
SUMMARY:Ends of Contracts: Artists Unite Against Contractualization
DESCRIPTION:#EndEndo is an art initiative that aims to spark and deepen awareness among artists\, art students\, and art advocates regarding labor issues. It is a multi-faceted project that efforts to encourage creative responses as expressions of solidarity with the working class. \n#EndEndo is an art project that will consolidate various artists and advocates in order to strengthen their solidarity and commitment to advance workers’ welfare\, and stop the various attacks on the people’s rights.
URL:https://bulwaganngdangal.upd.edu.ph/event/862/
LOCATION:Bulwagan ng Dangal Atelyer Gallery
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/png:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/EnDo.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20180924T000000
DTEND;TZID=Asia/Shanghai:20180929T235959
DTSTAMP:20260405T183309
CREATED:20240529T081932Z
LAST-MODIFIED:20240529T081932Z
UID:859-1537747200-1538265599@bulwaganngdangal.upd.edu.ph
SUMMARY:Sining Sandiwa
DESCRIPTION:Art exhibit\, katutubo bazaar\, forum and different art workshops & activities for the benefit of all National Minorities in the country.
URL:https://bulwaganngdangal.upd.edu.ph/event/sining-sandiwa/
LOCATION:Bulwagan ng Dangal Atelyer Gallery
CATEGORIES:Exhibitions,Programs
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Sining-Sandiwa-Poster-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20180818T000000
DTEND;TZID=Asia/Shanghai:20180917T235959
DTSTAMP:20260405T183309
CREATED:20240529T081750Z
LAST-MODIFIED:20240529T081750Z
UID:855-1534550400-1537228799@bulwaganngdangal.upd.edu.ph
SUMMARY:Looking for Juan 10: "What Does it Mean to be a Filipino?"
DESCRIPTION:What does it mean to be a Filipino?’ This is the question that CANVAS and more than a hundred contemporary Filipino participating artists grapple with in the 10th Looking for Juan Outdoor Banner Show\, opening on August 18\, 4pm\, at the Bulwagan ng Dangal in the University of the Philippines-Diliman. \nThe group show revisits the theme and question for CANVAS’ very first outdoor banner show in 2009. We wonder if the answers would change – if being a Filipino in 2018 would be different from or the same as it was a decade before. What results is a collection of paintings and sculptures depicting each artist’s reflections on and response to the question.
URL:https://bulwaganngdangal.upd.edu.ph/event/looking-for-juan-10-what-does-it-mean-to-be-a-filipino/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Poster-4.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20180716T000000
DTEND;TZID=Asia/Shanghai:20180810T235959
DTSTAMP:20260405T183309
CREATED:20240529T081512Z
LAST-MODIFIED:20240529T081512Z
UID:852-1531699200-1533945599@bulwaganngdangal.upd.edu.ph
SUMMARY:Linescapes: Aestheticizing Chaos of Urban Infrastructure
DESCRIPTION:In this MFA degree exhibition\, Annie Pacaña explores the layers of meanings encrypted in the city’s urban forms as she explores linescapes\, kaleidoscapes and soundscapes. Here\, a flattening of the city is explored through photography and drawing\, and set into motion via digital media\, which are the proponent’s tools as a visual communicator. Even the city’s soundscape\, its pulse\, its irregular heartbeat\, is a multi-layered waveform creating an interference – a disruption\, a disturbance\, a displacement\, whose chaos one can come to appreciate. All the images utilized are culled from the proponent’s own travels around Metro Manila in the course of her study from 2015\, reflecting her accumulating and compounding connection with the city as she traverses it day by day on foot\, by car\, or by train.
URL:https://bulwaganngdangal.upd.edu.ph/event/linescapes-aestheticizing-chaos-of-urban-infrastructure/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Linescapes-Poster.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20180511T000000
DTEND;TZID=Asia/Shanghai:20180711T235959
DTSTAMP:20260405T183309
CREATED:20240529T081132Z
LAST-MODIFIED:20240529T081132Z
UID:849-1525996800-1531353599@bulwaganngdangal.upd.edu.ph
SUMMARY:Super Robot – Suffer Reboot
DESCRIPTION:The 70’s was a decade that expanded humanity’s horizons. In outer space\, Viking 2 lands on Mars. The world’s first test tube baby is born. Personal computers and mobile phones make their debut. Atari finds its way to many homes. Microsoft and Apple are founded. Betamax is introduced. Star Wars captures the imagination of a generation. And super robots like Voltes V\, Daimos\, Mazinger Z\, Mekanda Robo\, appear on Philippine state-controlled television. Filipino children learn to sing their Japanese theme songs by heart\, probably more so than the patriotic anthems of the Bagong Lipunan. \nThe 70’s was also a tumultuous decade. The Beatles break up. Elvis Presley dies. The Vietnam War ends. The Pol Pot and the Khmer Rouge take over Cambodia. The Jonestown Incident happens. Nixon resigns after being implicated in the Watergate Scandal. Harvey Milk\, an openly gay politician\, gets elected into office\, and is soon after assassinated. In the Philippines\, martial law is declared. The short lived Diliman Commune happens as a response to the rising cost of fuel. People talk about a boy who fell from the sky\, being thrown from a helicopter as payment for his father’s expose. A youth leader is found dead two days after he openly questions the legitimacy and credentials of the President’s daughter to head the Kabataang Baranggay in a public forum. Many others disappear. Countless others land in jail. The super robots are pulled off air after a year. A generation of children question what could be wrong\, when these super robots represent the good triumphing over tyranny and evil. \nThis is the backdrop to a young boy’s coming of age\, which becomes the material for Super Robot – Suffer Reboot\, a collection of nearly a decade’s work of Toym Imao where a curious mix of robots\, dictators\, and martial law begs the question\, does history repeat itself?
URL:https://bulwaganngdangal.upd.edu.ph/event/super-robot-suffer-reboot/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Poster-3.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20180502T000000
DTEND;TZID=Asia/Shanghai:20180628T235959
DTSTAMP:20260405T183309
CREATED:20240529T080433Z
LAST-MODIFIED:20240529T081221Z
UID:845-1525219200-1530230399@bulwaganngdangal.upd.edu.ph
SUMMARY:Kahayupan
DESCRIPTION:This MFA exhibit revolves around the notion that animals have been used as bisual metaphors for commentary of society’s ills. From the European Medieval Beastiaries\, or bound text featuring stories teaching morality to the modern political cartoons of utilizing animal figures to liken either the brazen to the problematic\, this MFA study aims to produce a visual sequential narrative of presidential faults reminiscent of Christianity’s Seven Deadly Sins. The seven presidents starting from the Marcoses reflect the duration of administration the proponent has lived and is living through to juxtapose the personal and the political. The proponent is a practicing political cartoonist\, hence the MFA study shall be rendering magnification of comics strips-type of narration\, wherein each panel holds a deadly sin and their causalities and implications. Though each panel is inherently separate and can stand alone\, the MFA study aims to render these panels as a disturbing panorama of interconnected blighted political landscapes that we have gone and we are going through.
URL:https://bulwaganngdangal.upd.edu.ph/event/kahayupan/
LOCATION:Bulwagan ng Dangal Atelyer Gallery
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Poster-2-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20180417T000000
DTEND;TZID=Asia/Shanghai:20180430T235959
DTSTAMP:20260405T183309
CREATED:20240529T080233Z
LAST-MODIFIED:20240529T080233Z
UID:842-1523923200-1525132799@bulwaganngdangal.upd.edu.ph
SUMMARY:Stopover!
DESCRIPTION:Four artists from the U.P. Master of Fine Arts program in their FA 211 class critically explore and analyze their own art practice by producing ekphrastic artworks in their show entitled Stopover. Stopover is defined as a stop at an intermediate point in one’s journey and this exhibit emphasizes each artists’ unique perspective as they explore their own life journey as artists dealing with couple-hood\, motherhood\, childhood\, and family-hood all at the same time. While Aisa Dela Cruz’s work questions society’s idea of marriage\, motherhood\, and starting a family\, Weena Espardinez’s work on the other hand is an introspective look on her domestic experience when she was a young mother with toddlers. Jake Salvador’s work deals with the creation of a wooden scooter inspired by a childhood memory while Jenny Suarez would like to explore creating a play space for adults using toy building blocks—both artworks and installations hope to trigger happy and uncomplicated memories that they want to relive and experience as adults\, now that they both have their own kids. Stopover highlights the different stages in their lives as they look back and reflect on their past that helped define their realities now.
URL:https://bulwaganngdangal.upd.edu.ph/event/stopover/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Poster-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20180302T000000
DTEND;TZID=Asia/Shanghai:20180323T235959
DTSTAMP:20260405T183309
CREATED:20240529T075657Z
LAST-MODIFIED:20240529T075839Z
UID:838-1519948800-1521849599@bulwaganngdangal.upd.edu.ph
SUMMARY:Resurfacing: Portraying Disappearances
DESCRIPTION:The exhibition titled “Resurfacing” showcases a selection of the three dimensional images of the victims of state enforced disappearances in the country from the 1970’s until the present. The works featured are hollow-cast frozen sculptures depicting victims representing each sector of society. The exhibition is the culminating creative requirement of Mr. Jose Manuel “Manolo” Sicat for his Master in Fine Arts Degree in the UP College of Fine Arts.
URL:https://bulwaganngdangal.upd.edu.ph/event/resurfacing-portraying-disappearances/
LOCATION:Bulwagan ng Dangal University Heritage Museum
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/RESURFACING-INVITE.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20180108T000000
DTEND;TZID=Asia/Shanghai:20180215T235959
DTSTAMP:20260405T183309
CREATED:20240603T072017Z
LAST-MODIFIED:20240603T072201Z
UID:926-1515369600-1518739199@bulwaganngdangal.upd.edu.ph
SUMMARY:Tao at Tahan: Citizen Refugees\, Contentious Histories
DESCRIPTION:
URL:https://bulwaganngdangal.upd.edu.ph/event/tao-at-tahan-citizen-refugees-contentious-histories/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20171020T000000
DTEND;TZID=Asia/Shanghai:20171202T235959
DTSTAMP:20260405T183309
CREATED:20240529T075358Z
LAST-MODIFIED:20240529T075848Z
UID:834-1508457600-1512259199@bulwaganngdangal.upd.edu.ph
SUMMARY:Sandaang Taon ng Aghamtao / 100 Years of Philippine Anthropology
DESCRIPTION:From its institution in the Philippines\, the discipline of anthropology participated in shaping colonial policy and engaged the public specifically in the conceptualization of the ‘peoples of the Philippines’\, shaping the way we define ourselves (the nation\, distinct ethnicities) and ‘others’.  The proposed exhibit presents a timeline of 100 years of Philippine anthropology\, and also features ‘100 personalities’ who have been influential to anthropological practice\, i.e. not necessarily only those who specifically self-identified as anthropologists\, and ranging from even before 1917\, e.g. Isabelo de los Reyes and ilustrado contributions\, to more recent luminaries.  Intellectual contributions and turning points in the history of anthropology in the Philippines (not just in U.P.) would be highlighted.  Also to be marked or showcased in the exhibit will be the archaeological and ethnographic collections of the UP Anthropology Museum.  The exhibit is researched and curated in consultation with the faculty of the UP Anthropology Department.
URL:https://bulwaganngdangal.upd.edu.ph/event/sandaang-taon-ng-aghamtao-100-years-of-philippine-anthropology/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Anthro-100-Poster.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20171014T000000
DTEND;TZID=Asia/Shanghai:20180324T235959
DTSTAMP:20260405T183309
CREATED:20240529T062613Z
LAST-MODIFIED:20240529T062613Z
UID:830-1507939200-1521935999@bulwaganngdangal.upd.edu.ph
SUMMARY:The Constantino Murals: Hidden in Plain Sight
DESCRIPTION:The Constantino Murals were created ten years ago in collaboration with TutoK\, an artists’ group that\, before disbanding\, explored the language of dissent in the visual realm. Commissioned to commemorate the execution of heroes Macario Sakay and Lean Alejandro\, the Constantino Foundation requested TutoK to paint the heroes not as extraordinary beings towering above their people but as ordinary Filipinos advancing uncommon deeds in pursuit of national freedom. The Foundation asked the artists to create works radiating subversion rather than mere militancy.  \nThe Constantino Murals will be on display in the Atelyer Gallery of the Bulwagan ng Dangal this October 14\, 2017 up to March 24\, 2018\, consistent with the project’s original premise – to counteract the process of forgetting. The Bulwagan ng Dangal is a location that speaks of Sakay’s true stature and his sacrifice. Equally important\, the exhibit is right below the U.P. Library. Even when he joined the underground\, Lean daydreamed of spending his remaining days there\, burrowing through the archives. 
URL:https://bulwaganngdangal.upd.edu.ph/event/the-constantino-murals-hidden-in-plain-sight/
LOCATION:Bulwagan ng Dangal Atelyer Gallery
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/The-Constantino-Murals-Poster-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20170908T000000
DTEND;TZID=Asia/Shanghai:20170928T235959
DTSTAMP:20260405T183309
CREATED:20240529T062321Z
LAST-MODIFIED:20240529T062321Z
UID:826-1504828800-1506643199@bulwaganngdangal.upd.edu.ph
SUMMARY:Con.Currents: Points of Sublation
DESCRIPTION:As contemporary performance aesthetics gear more and more toward the (re)presentation of the performance process as crucial\, if not\, central to the totality of the performance experience – from Brecht to Boal\, to Bourriard to Ranciere – Con.Currents attempts to interrogate as well as capture the flow and transformation of ideas\, bodies and narratives through collaborative/creative-curatorial performance-making\, conversations\, and modalities of spectatorship.  \nCon.Currents converges different flows to a point of continuous unfolding in various junctures and spaces — a concurrence of ever-surging\, ever-evolving currents. Viewing the exhibit is\, therefore\, both an experience of a specific performance and yet\, also\, a moment in the performance’s unfolding — a totality that perpetually invokes continuation and is thus ever only a fraction.
URL:https://bulwaganngdangal.upd.edu.ph/event/con-currents-points-of-sublation/
LOCATION:Bulwagan ng Dangal Main Hall and Atelyer
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Con-Currents-Poster.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20170818T000000
DTEND;TZID=Asia/Shanghai:20170901T235959
DTSTAMP:20260405T183309
CREATED:20240529T061918Z
LAST-MODIFIED:20240529T061918Z
UID:822-1503014400-1504310399@bulwaganngdangal.upd.edu.ph
SUMMARY:Dissident Vicinities
DESCRIPTION:“The exhibition ‘Dissident Vicinities’ responds to moments— lived or archived—in the histories of people’s movements for liberation and rights in the Philippines. It reflects on the questions: How are people’s struggles visualised within various localities and spheres?  How do social movements\, in turn\, contribute to the visual culture of collective resistance? \nThe exhibition touches on how cultural work and production contributes to arenas of struggle. Such instances of rupture and advance across zones traditional and subaltern yield material objects as evidence of dissent: works of art\, archival materials and agitational propaganda. Let these encounters be reminders of what can and should be in this time of power writ large; in this period of looming authoritarianism\, empire guised as integration\, and climates of peril.”
URL:https://bulwaganngdangal.upd.edu.ph/event/dissident-vicinities/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/dv-socmed-MAINv4.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20170613T000000
DTEND;TZID=Asia/Shanghai:20170810T235959
DTSTAMP:20260405T183309
CREATED:20240513T072431Z
LAST-MODIFIED:20240525T062921Z
UID:520-1497312000-1502409599@bulwaganngdangal.upd.edu.ph
SUMMARY:A Man and His Relations
DESCRIPTION:Taking from the African proverb “It takes a village to raise a child”\, Cesar Legaspi’s\, second exhibition for his centennial series hinges on how forms of community including but also beyond family and home make the production of art possible. Called A Man and His Relations\, the exhibition takes place in Legaspi’s alma mater on June 13 at the University of the Philippines Bulwagan ng Dangal Museum. The exhibition assembles works from Legaspi’s family collection\, choice works of his peers from the university collection\, and interaction pieces Legaspi gamely worked on from the 1970s to 1980s with colleagues and kin. \nCesar Legaspi graduated from the UP College of Fine Arts in UP Diliman. He was one of the pioneers of the neo-realist genre in painting. A prominent member of the Thirteen Moderns\, he is widely known for his contributions to Philippine Modern Art. His style transformed Western visual grammar into localized textures and scenes enriching modern design and technique for subsequent generations of Filipino artists. He was awarded National Artist for Visual Arts in 1990. Bulwagan ng Dangal endeavours to introduce works by Legaspi and his peers to a younger generation of students and the public beyond university communities.
URL:https://bulwaganngdangal.upd.edu.ph/event/a-man-and-his-relations/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/A-Man-and-His-Relations-Poster-.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20170606T000000
DTEND;TZID=Asia/Shanghai:20170731T235959
DTSTAMP:20260405T183309
CREATED:20240513T071748Z
LAST-MODIFIED:20240525T063019Z
UID:514-1496707200-1501545599@bulwaganngdangal.upd.edu.ph
SUMMARY:Langue Lounge: Forgetory
DESCRIPTION:Jose Tence Ruiz’s LangueLounge: Forgetory is a site-specific installation that is a meditation on the cult of glib and overwhelming information over truth. LangueLounge works with image and meaning in relation to contemporary life and society. High backed chairs lined with red velvet is related to the image of high and honorable status\, of luxury and comfort that is desired and possessed. But upon closer inspection these honorable chairs turn out to be electric chairs\, and what seems to be an opulent and elegant thing is an object of torture. The work calls for closer scrutiny on what is seen and heard\, an encouragement to move out of places of comfort\, conformity\, and complacency. To be brave\, even a minute longer. \nLangueLounge: Forgetory was initially made for and exhibited at the ARTFair Philippines 2017\, and was subsequently installed at the Far Eastern University as a center piece in Hudyat\, an exhibition decrying the state of extra judicial killings and asserting the principle of human dignity. This third installation is a new iteration from previous exhibitions\, and will be installed at the Atelyer gallery of the Bulwagan ng Dangal at the University of the Philippines from 6 June to 31 July 2017.
URL:https://bulwaganngdangal.upd.edu.ph/event/langue-lounge-forgetory/
LOCATION:Bulwagan ng Dangal Atelyer Gallery
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Launge-Poster.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20170512T000000
DTEND;TZID=Asia/Shanghai:20170527T235959
DTSTAMP:20260405T183309
CREATED:20240516T124649Z
LAST-MODIFIED:20240525T063039Z
UID:504-1494547200-1495929599@bulwaganngdangal.upd.edu.ph
SUMMARY:Still / Moving
DESCRIPTION:The creation of artistic form fundamentally is a production of space. Distinct from space as a certain physical actuality\, space here is considered as something that can be artistically constructed out of traditional visual art media\, objects\, sites\, measures\, time-based and durational means\, concepts\, psycho and socio-physical interaction\, ritual\, virtual\, and broadcast technologies. Art production along these lines have had generated problems and challenges to the artist in the quest of creating meaningful form. Here\, the artists demonstrate their art process through projects focused on space that show their unique sensibility\, set skills\, and strategies. \nSTILL/MOVING presents the end of semester output of the four Master of Fine Arts students of the UP College of Fine Arts as they tackle problems in the creation of space in artmaking in FA 215 under Professor Katti Sta. Ana.
URL:https://bulwaganngdangal.upd.edu.ph/event/still-moving/
LOCATION:Bulwagan ng Dangal Atelyer Gallery
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/STILL-MOVING.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20170508T000000
DTEND;TZID=Asia/Shanghai:20170522T235959
DTSTAMP:20260405T183309
CREATED:20240517T064409Z
LAST-MODIFIED:20240525T063112Z
UID:508-1494201600-1495497599@bulwaganngdangal.upd.edu.ph
SUMMARY:Multiple Modalities
DESCRIPTION:
URL:https://bulwaganngdangal.upd.edu.ph/event/multiple-modalities/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Multiple-Modalities-Poster-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20170417T000000
DTEND;TZID=Asia/Shanghai:20170429T235959
DTSTAMP:20260405T183309
CREATED:20240517T064525Z
LAST-MODIFIED:20240527T015703Z
UID:591-1492387200-1493510399@bulwaganngdangal.upd.edu.ph
SUMMARY:TAWID: Design Beyond Borders
DESCRIPTION:TAWID: Design Beyond Borders aims to elevate the quality of life and growth of the children through the provision of distinct furniture pieces and interactive accessories designed primarily for them. Taking on an interdisciplinary approach\, the project touches on collaborative design to establish the concept of building bridges with other disciplines\, all towards the greater goal of a better life for the poorest children of Metro Manila. \nThis exhibit\, organized by UP Interior Design Class of 2017\, is for the benefit of Tulay ng Kabataan\, a foundation dedicated to serve and care for the street children of Metro Manila.
URL:https://bulwaganngdangal.upd.edu.ph/event/tawid-design-beyond-borders/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/17855543_1370132549733941_2049507616470957969_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20170404T000000
DTEND;TZID=Asia/Shanghai:20170427T235959
DTSTAMP:20260405T183309
CREATED:20240513T065028Z
LAST-MODIFIED:20240527T021010Z
UID:498-1491264000-1493337599@bulwaganngdangal.upd.edu.ph
SUMMARY:RE-PLACE: Mapping the Story of FC
DESCRIPTION:April 1\, 2016: a fire blazed the Faculty Center\, destroying generations worth of archives\, book collections\, cherished mementos\, and invaluable research notes. In the wake of the first-year anniversary\, the emotional aftershocks felt by the UP CAL and CSSP community of professors\, administrative and support staff\, and students continue to linger on. Bearing the gravity of this weight in the hopes of ultimately healing\, the exhibit explores the narratives of loss and responses to the FC fire as a process of salvaging history. \nNegotiations of spatial belonging are physical\, psychological\, and social. There is an attempt to map out a “sense of place” of individual as well as collective displacements and losses\, struggles\, and breakthroughs. With the hub of radicalism\, intellectual zeal and endless discussion reduced to priceless memories\, what are the surrogate spaces of coping which emerged in the aftermath of the fire? How is an awareness and recognition of “place” crucial to a broader understanding of UP history and trajectory? \nSynergism exists between the process of healing and a counterflow of recollections\, unfolding a timeline of mini-narratives linked together to form the larger story of FC. Along with the exhibition of interactive art\, and published memories\, the timeline encourages the community’s on-site insertions\, propelling everyone to move forward with an outlet of desires for renewal and rebuilding.
URL:https://bulwaganngdangal.upd.edu.ph/event/re-place-mapping-the-story-of-fc/
LOCATION:Bulwagan ng Dangal Atelyer Gallery
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Re-Place-Mapping-the-Story-of-FC-Invitation.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20170307T000000
DTEND;TZID=Asia/Shanghai:20170328T235959
DTSTAMP:20260405T183309
CREATED:20240516T044131Z
LAST-MODIFIED:20240525T063216Z
UID:490-1488844800-1490745599@bulwaganngdangal.upd.edu.ph
SUMMARY:Karga Karga
DESCRIPTION:From the perspective of the urban condition\, Karga Karga explores the density and excess of human life and the spaces we inhabit. In cities\, people are literally stacked on top of each other\, may it be in the form of high rise condominiums or make-shift housing under bridges or empty lots. Yet\, for all the surplus things that inundate everyday life\, there is also an absence of the feelings of fulfillment and contentment. From this critique of deplorable living conditions\, the installation seeks to monumentalize adaptability and resourcefulness in the face of limitation. It invites us to examine the process and choices made behind these arrangements which could possibly point us to a transgressive view of life and work in the city. That in rising and facing predicaments\, to take things into one’s own hands\, is also a form of resistance in an increasingly oppressive and stifling world.
URL:https://bulwaganngdangal.upd.edu.ph/event/karga-karga/
LOCATION:Bulwagan ng Dangal Atelyer Gallery
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Karga-Karga-Pic-3.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20170228T000000
DTEND;TZID=Asia/Shanghai:20170303T235959
DTSTAMP:20260405T183309
CREATED:20240516T110151Z
LAST-MODIFIED:20240525T074127Z
UID:496-1488240000-1488585599@bulwaganngdangal.upd.edu.ph
SUMMARY:Kwentong Katha
DESCRIPTION:Salvaging Histories \nAs part of the UP Writers Club’s plans to showcase its rich literary history\, the Club made the effort to sift through its tangled past\, delving the various activities of the Club in years past. \nWhile there is much to be gleaned in the way the Club was ever-present in the consciousness of the UP community\, the unfortunate reality is that this information is lucky to survive to this age. What we have done to compensate is reproduce and reconstruct as many of these articles as best we can — an apt metaphor of our attempts to make sense of a muddled and confused past\, a history whose facts have been distorted by memory and age. \nOur hope is to give the audience insight into the difficult process of salvaging the past — of trying to capture as many of these brief snapshots of UP Writers Club history before they disappear and of recovering the story of the UP Writers Club from obscurity. \nKwentong Katha tells the history of the UP Writers’ Club through the editions of its literary folio The Literary Apprentice.
URL:https://bulwaganngdangal.upd.edu.ph/event/kwentong-katha/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/16804262_10154410410210753_7170461363477637224_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20170215T000000
DTEND;TZID=Asia/Shanghai:20170228T235959
DTSTAMP:20260405T183309
CREATED:20240516T042531Z
LAST-MODIFIED:20240525T063342Z
UID:429-1487116800-1488326399@bulwaganngdangal.upd.edu.ph
SUMMARY:Resonance and Transformations
DESCRIPTION:RESONANCE & TRANSFORMATIONS\, an exhibition of selected works from the University of the Philippines Art Collection.
URL:https://bulwaganngdangal.upd.edu.ph/event/resonance-and-transformations/
LOCATION:Bulwagan ng Dangal Atelyer Gallery
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Resonance-Pic-1-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20170131T000000
DTEND;TZID=Asia/Shanghai:20170210T235959
DTSTAMP:20260405T183309
CREATED:20240513T060121Z
LAST-MODIFIED:20240525T063409Z
UID:424-1485820800-1486771199@bulwaganngdangal.upd.edu.ph
SUMMARY:reading Maceda\, PRELUDE
DESCRIPTION:reading Maceda\, PRELUDE is an exhibit that attempts to summarize some of the key theories used by Maceda in his compositions — Technology\, Nature/Environment\, Space/Atmosphere and Time. Text from Maceda’s writings\, composition analysis by National Artist for Music Ramon P. Santos\, images\, scores\, audio files\, and music instruments are to be used to illustrate these theories. This exhibit also serves as a framework for participating artists\, composers and scholars in creating their work for the main exhibit later in 2017\, titled “ATTITUDE of the MIND.” \nCurator: Ms. Dayang Mnt Yraola\nGraphics: Amihan Animation Studio\nExhibit Assistant: Carl Tolosa\nResearcher: Roan Opiso\nConsultants: Dr. Verne de la Peña and National Artist Dr. Ramon P. Santos \nWith the support of the University of the Philippines\, the UP Vargas Museum\, and Pioneer Studios and media partner Agimat: Sining at Kulturang Pinoy
URL:https://bulwaganngdangal.upd.edu.ph/event/reading-maceda-prelude/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Reading-Maceda-Poster-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20170113T000000
DTEND;TZID=Asia/Shanghai:20170128T235959
DTSTAMP:20260405T183310
CREATED:20240516T040735Z
LAST-MODIFIED:20240525T063430Z
UID:411-1484265600-1485647999@bulwaganngdangal.upd.edu.ph
SUMMARY:Restorative
DESCRIPTION:RESTORATIVE is a collaborative exhibition honoring the traditional healing methods and culture of the Ivatan people\, an indigenous group at the extreme north of the Philippines. Whether one is a manuvatuva\, a mangaptus or a mamiyay\, they perform a curative and uplifting function in Ivatan society and culture. They are invisible threads that bind and regenerate aspects of the Ivatan identity.
URL:https://bulwaganngdangal.upd.edu.ph/event/restorative/
LOCATION:Bulwagan ng Dangal Atelyer Gallery
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Restorative-Poster.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20161203T000000
DTEND;TZID=Asia/Shanghai:20161216T235959
DTSTAMP:20260405T183310
CREATED:20240513T055005Z
LAST-MODIFIED:20240525T063450Z
UID:397-1480723200-1481932799@bulwaganngdangal.upd.edu.ph
SUMMARY:Spatial Territories
DESCRIPTION:Renowned geographer Carl Sauer lamented the lack of vocabulary to describe space\, a very crucial unit of geography. When words\, numbers\, and facts are naught\, images emerge as valuable sources of enlightenment. \nHow does one put a name on the sensed particularity of a space? In which realm does the space of human experience belong? The creation of artistic form is fundamentally a production of space. Distinct from space as a certain physical actuality\, space here is artistically constructed out of traditional visual art media\, objects\, virtual technologies\, new media\, ritual\, time-based\, and durational processes. \nThe exhibit will gather ten contemporary artists to produce spaces in the artists’ particular themes and media. All of them are forays into experiences of space – of miniature universes\, virtual connections\, memories\, discovery\, the psycho-spiritual\, and death. \nAll artworks were created under Katti Sta. Ana’s FA215 Class: Production of Space in Art Production (AY 2016-17) in UP Diliman’s College of Fine Art’s MFA Program\, in cooperation with UP Diliman’s Bulwagan ng Dangal.
URL:https://bulwaganngdangal.upd.edu.ph/event/spatial-territories/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Spatial-Territories-Poster.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20161010T000000
DTEND;TZID=Asia/Shanghai:20161125T235959
DTSTAMP:20260405T183310
CREATED:20240513T054503Z
LAST-MODIFIED:20240525T063520Z
UID:363-1476057600-1480118399@bulwaganngdangal.upd.edu.ph
SUMMARY:Fast Fashion: The Dark Side of Fashion
DESCRIPTION:The fashion weeks in Paris\, Milan\, London and Berlin not only attract journalists\, bloggers\, buyers and celebrities. Models parade around in outfits that are\, more or less\, suitable for everyday wear\, orchestrating designs and breathing life into them for a few moments on the catwalk. Glossy magazines\, blogs and TV shows report on the latest looks\, must-haves and It-pieces. \nBut where does it come from\, this fashion that makes the transition from the catwalk to the stores\, from prototype to mass production\, in the course of just a few weeks? Where is it manufactured\, under what conditions and by whom? How is it that items of clothing can be so cheap? Answers to these questions can be found in this exhibition. \nImages of seamstresses on the brink of exhaustion\, collapsed factory buildings with hundreds of dead – the shady side of a glamorous business. Using the manufacturers as scapegoats would be too simple. In many developing countries\, the textile industry is seen as pioneering\, capable of attracting many other fields of industry\, in other words\, as making a contribution to gradually improving standards of living. Then again\, the textile industry situation in Europe has changed. There are hardly any weaving mills or clothing manufacturers left. \nBesides its economic effects\, mass consumption also has an ecological impact. It harms the environment and mankind permanently – from raw materials such as cotton being marred by pesticides\, water consumption\, to the use of chemicals in production and even toxic refinement on clothing. How can we avoid this kind of dilemma? Should we forgo fashion? Surely not. As the show and the exhibition portal demonstrate\, there are already alternatives – from sustainably produced fashion to upcycling concepts\, new fibers and innovative technologies. \nThe Goethe-Institut Philippinen in partnership with the College of Home Economics\, UP Diliman (UP CHE) presents FAST FASHION\, an exhibition on the dark side of the fashion industry. \nPart of Goethe-Institut’s larger Ikat/eCut project\, FAST FASHION is an exhibition by the Museum für Kunst und Gewerbe Hamburg made possible by Karin Stilke Stiftung + DBU Deutsche Bundesstiftung Umwelt. \nCurated by Dr. Claudia Banz of the Museum for Arts and Crafts\, Hamburg (Museum für Kunst und Gewerbe Hamburg).
URL:https://bulwaganngdangal.upd.edu.ph/event/fast-fashion-the-dark-side-of-fashion/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Fast-fashion-The-Dark-SIde-of-Fashion-Pic-1-rotated.jpg
END:VEVENT
END:VCALENDAR