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PRODID:-//Bulwagan ng Dangal University Heritage Museum - University of the Philippines Diliman - ECPv6.15.18//NONSGML v1.0//EN
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X-ORIGINAL-URL:https://bulwaganngdangal.upd.edu.ph
X-WR-CALDESC:Events for Bulwagan ng Dangal University Heritage Museum - University of the Philippines Diliman
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BEGIN:VTIMEZONE
TZID:Asia/Shanghai
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TZOFFSETFROM:+0800
TZOFFSETTO:+0800
TZNAME:CST
DTSTART:20240101T000000
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BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20250213T140000
DTEND;TZID=Asia/Shanghai:20250213T160000
DTSTAMP:20260405T121121
CREATED:20250210T032322Z
LAST-MODIFIED:20250210T032428Z
UID:986-1739455200-1739462400@bulwaganngdangal.upd.edu.ph
SUMMARY:Talakayan sa Bulwagan Session 1: Accessibility and Inclusive Practices
DESCRIPTION:Join us in the inaugural sessions of the 𝐓𝐚𝐥𝐚𝐤𝐚𝐲𝐚𝐧 𝐬𝐚 𝐁𝐮𝐥𝐰𝐚𝐠𝐚𝐧!\n\n\n\nFor the first session\, we’ll be having presentations from the following experts and art and museum practitioners\, who work on making culture and art accessible and inclusive for persons living with disabilities:\n\n\n\n𝐀𝐫. 𝐄𝐫𝐢𝐜𝐨 𝐀𝐛𝐨𝐫𝐝𝐨\, who co-founded Architects for Accessibility\, has chaired the Committee on Accessibility from 2020-2021 of the United Architects of the Philippines\, and is currently the Council Member to the Union Internaionale Des Architectes (UIA) in Paris\, France;\n\n\n\n\n𝐌𝐬. 𝐂𝐚𝐫𝐨𝐥𝐥𝐞 𝐀𝐝𝐫𝐢𝐚𝐧𝐧𝐞 𝐌𝐚𝐧𝐚𝐥𝐚𝐬𝐭𝐚𝐬\, who has been working on making history and the museums of the National Historical Commission of the Philippines accessible to persons who are Blind\, through projects like Touch the Artists Vision: Museum Unboxed and Museum Unboxed Travels; and\n\n\n\n\n𝐌𝐬. 𝐌𝐲𝐫𝐚 𝐌𝐞𝐝𝐫𝐚𝐧𝐚\, a Deaf director\, trainer\, and choreographer from the Deaf Performing Arts Program of the School of Deaf Education and Applied Studies at the De La Salle-College of Saint Benilde. Her presentation will be voice interpreted by 𝐌𝐫. 𝐌𝐢𝐜𝐡𝐚𝐞𝐥 𝐀𝐮𝐭𝐞𝐧𝐜𝐢𝐨 and 𝐌𝐫. 𝐖𝐢𝐥𝐥𝐢𝐚𝐦 𝐒𝐢𝐝𝐚𝐲𝐨𝐧.\n\n\n\nThe session is free but due to limited slots available\, we will be accommodating registrations based on a first-register\, first-served basis. It will also have live sign language interpretation. To register\, please fill out this form: https://bit.ly/TalakayanSession1\n\n\n\n——\n\n\n\n𝐓𝐀𝐋𝐀𝐊𝐀𝐘𝐀𝐍 𝐒𝐀 𝐁𝐔𝐋𝐖𝐀𝐆𝐀𝐍\n𝑺𝒆𝒔𝒔𝒊𝒐𝒏𝒔 𝒐𝒏 𝑬𝒒𝒖𝒊𝒕𝒚 𝒊𝒏 𝑴𝒖𝒔𝒆𝒖𝒎𝒔\n𝐒𝐄𝐒𝐒𝐈𝐎𝐍 𝟏: 𝐀𝐜𝐜𝐞𝐬𝐬𝐢𝐛𝐢𝐥𝐢𝐭𝐲 𝐚𝐧𝐝 𝐈𝐧𝐜𝐥𝐮𝐬𝐢𝐯𝐞 𝐏𝐫𝐚𝐜𝐭𝐢𝐜𝐞𝐬\n13 February 2025\, Thursday\, 2-4PM\nAldaba Recital Hall\, UP Theater Complex\nUniversity of the Philippines Diliman\n\n\n\n——\n\n\n\nThe first two sessions of the program focus on the notion of equity\, a key idea in the theme of this year’s UP Diliman Arts and Culture Festival\, which bears the theme “Kalahok sa Nagbabagong Kalikasan.” These are organized in partnership with the U.P. Theater Complex\, and are supported by the UP Diliman OICA.\n\n\n\n* 𝘛𝘩𝘦 𝘛𝘢𝘭𝘢𝘬𝘢𝘺𝘢𝘯 𝘴𝘢 𝘉𝘶𝘭𝘸𝘢𝘨𝘢𝘯 𝘪𝘴 𝘵𝘩𝘦 𝘮𝘶𝘴𝘦𝘶𝘮’𝘴 𝘭𝘰𝘯𝘨-𝘵𝘦𝘳𝘮 𝘱𝘶𝘣𝘭𝘪𝘤 𝘱𝘳𝘰𝘨𝘳𝘢𝘮 𝘵𝘩𝘢𝘵 𝘢𝘪𝘮𝘴 𝘵𝘰 𝘰𝘱𝘦𝘯 𝘥𝘪𝘴𝘤𝘶𝘴𝘴𝘪𝘰𝘯𝘴 𝘵𝘩𝘢𝘵 𝘴𝘵𝘦𝘮 𝘧𝘳𝘰𝘮 𝘷𝘢𝘳𝘪𝘰𝘶𝘴 𝘤𝘰𝘯𝘤𝘦𝘱𝘵𝘴 𝘢𝘯𝘥 𝘱𝘳𝘢𝘤𝘵𝘪𝘤𝘦𝘴 𝘰𝘱𝘦𝘳𝘢𝘵𝘪𝘯𝘨 𝘸𝘪𝘵𝘩𝘪𝘯 𝘢𝘯𝘥 𝘦𝘮𝘢𝘯𝘢𝘵𝘪𝘯𝘨 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘪𝘯𝘵𝘦𝘳𝘴𝘦𝘤𝘵𝘪𝘯𝘨 𝘤𝘰𝘯𝘵𝘦𝘹𝘵𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘉𝘶𝘭𝘸𝘢𝘨𝘢𝘯 𝘯𝘨 𝘋𝘢𝘯𝘨𝘢𝘭: 𝘮𝘶𝘴𝘦𝘶𝘮𝘴\, 𝘶𝘯𝘪𝘷𝘦𝘳𝘴𝘪𝘵𝘪𝘦𝘴\, 𝘢𝘯𝘥 𝘩𝘦𝘳𝘪𝘵𝘢𝘨𝘦 𝘸𝘰𝘳𝘬.\n\n\n\n#TalakayanSaBulwagan\n#BulwaganNgDangal\n#BnD15th\n#UPDArtsCultureFestival2025\n#KalahokSaNagbabagongKalikasan
URL:https://bulwaganngdangal.upd.edu.ph/event/talakayan-sa-bulwagan-session-1-accessibility-and-inclusive-practices/
LOCATION:Aldaba Recital Hall\, UP Theater Complex
CATEGORIES:Programs
ATTACH;FMTTYPE=image/png:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2025/02/3.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20250227T140000
DTEND;TZID=Asia/Shanghai:20250227T160000
DTSTAMP:20260405T121121
CREATED:20250304T023931Z
LAST-MODIFIED:20250304T023931Z
UID:996-1740664800-1740672000@bulwaganngdangal.upd.edu.ph
SUMMARY:Talakayan sa Bulwagan Session 2: Artistic Responses to Environmental Sustainability
DESCRIPTION:Join us in the second session of the 𝐓𝐚𝐥𝐚𝐤𝐚𝐲𝐚𝐧 𝐬𝐚 𝐁𝐮𝐥𝐰𝐚𝐠𝐚𝐧!\n\n\n\nFor this session\, we’ll be dwelling on the potentials of art in promoting climate awareness and ecological mindfulness. We will be having a keynote presentation (pre-recorded video) from 𝐉𝐨𝐡𝐧 𝐊𝐞𝐧𝐧𝐞𝐭𝐡 𝐏𝐚𝐫𝐚𝐧𝐚𝐝𝐚\, Curator of Art and Climate Change at the Sainsbury Centre\, University of East Anglia; and a roundtable discussion with the following contemporary art practitioners:\n\n\n\n\n𝐂𝐢𝐚𝐧 𝐃𝐚𝐲𝐫𝐢𝐭\, Artist and Geographer\n𝐃𝐚𝐯𝐢𝐝 𝐋𝐨𝐮𝐠𝐡𝐫𝐚𝐧\, Curator and Co-Founder of Emerging Islands\n𝐈𝐬𝐬𝐚𝐲 𝐑𝐨𝐝𝐫𝐢𝐠𝐮𝐞𝐳\, Artist\, Teacher\, Researcher\n\n\n\nThe session was convened and will be moderated by 𝐂𝐨𝐧 𝐂𝐚𝐛𝐫𝐞𝐫𝐚.\n\n\n\nThe session is free but due to limited slots available\, we will be accommodating registrations based on a first-register\, first-served basis. To register\, please fill out this form: https://bit.ly/TalakayanSession2\n\n\n\nThe museum aspires to enhance the accessibility of our programs. Kindly indicate your access requirements as you fill-out the registration form. We will do our best to accommodate your request.\n\n\n\n——\n\n\n𝐓𝐀𝐋𝐀𝐊𝐀𝐘𝐀𝐍 𝐒𝐀 𝐁𝐔𝐋𝐖𝐀𝐆𝐀𝐍\n𝑺𝒆𝒔𝒔𝒊𝒐𝒏𝒔 𝒐𝒏 𝑬𝒒𝒖𝒊𝒕𝒚 𝒊𝒏 𝑴𝒖𝒔𝒆𝒖𝒎𝒔\nSession 2: Artistic Responses to Environmental Sustainability\n27 February 2025\, Thursday\, 2-4PM\nAldaba Recital Hall\, UP Theater Complex\nUniversity of the Philippines Diliman\n\n\n\n——\n\n\nThe first two sessions of the program focus on the notion of equity\, a key idea in the theme of this year’s UP Diliman Arts and Culture Festival\, which bears the theme “Kalahok sa Nagbabagong Kalikasan.” These are organized in partnership with the U.P. Theater Complex\, and are supported by the UP Diliman OICA.\n\n\n\n* 𝘛𝘩𝘦 𝘛𝘢𝘭𝘢𝘬𝘢𝘺𝘢𝘯 𝘴𝘢 𝘉𝘶𝘭𝘸𝘢𝘨𝘢𝘯 𝘪𝘴 𝘵𝘩𝘦 𝘮𝘶𝘴𝘦𝘶𝘮’𝘴 𝘭𝘰𝘯𝘨-𝘵𝘦𝘳𝘮 𝘱𝘶𝘣𝘭𝘪𝘤 𝘱𝘳𝘰𝘨𝘳𝘢𝘮 𝘵𝘩𝘢𝘵 𝘢𝘪𝘮𝘴 𝘵𝘰 𝘰𝘱𝘦𝘯 𝘥𝘪𝘴𝘤𝘶𝘴𝘴𝘪𝘰𝘯𝘴 𝘵𝘩𝘢𝘵 𝘴𝘵𝘦𝘮 𝘧𝘳𝘰𝘮 𝘷𝘢𝘳𝘪𝘰𝘶𝘴 𝘤𝘰𝘯𝘤𝘦𝘱𝘵𝘴 𝘢𝘯𝘥 𝘱𝘳𝘢𝘤𝘵𝘪𝘤𝘦𝘴 𝘰𝘱𝘦𝘳𝘢𝘵𝘪𝘯𝘨 𝘸𝘪𝘵𝘩𝘪𝘯 𝘢𝘯𝘥 𝘦𝘮𝘢𝘯𝘢𝘵𝘪𝘯𝘨 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘪𝘯𝘵𝘦𝘳𝘴𝘦𝘤𝘵𝘪𝘯𝘨 𝘤𝘰𝘯𝘵𝘦𝘹𝘵𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘉𝘶𝘭𝘸𝘢𝘨𝘢𝘯 𝘯𝘨 𝘋𝘢𝘯𝘨𝘢𝘭: 𝘮𝘶𝘴𝘦𝘶𝘮𝘴\, 𝘶𝘯𝘪𝘷𝘦𝘳𝘴𝘪𝘵𝘪𝘦𝘴\, 𝘢𝘯𝘥 𝘩𝘦𝘳𝘪𝘵𝘢𝘨𝘦 𝘸𝘰𝘳𝘬.\n\n\n\n#TalakayanSaBulwagan\n#BulwaganNgDangal\n#BnD15th\n#UPDArtsCultureFestival2025\n#KalahokSaNagbabagongKalikasan
URL:https://bulwaganngdangal.upd.edu.ph/event/talakayan-sa-bulwagan-session-2-artistic-responses-to-environmental-sustainability/
LOCATION:Aldaba Recital Hall\, UP Theater Complex
CATEGORIES:Programs
ATTACH;FMTTYPE=image/png:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2025/03/TALAKAYAN-SA-BULWAGAN-POSTER-1200-x-1200-px-3.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20250722T130000
DTEND;TZID=Asia/Shanghai:20250722T150000
DTSTAMP:20260405T121121
CREATED:20250717T105119Z
LAST-MODIFIED:20250717T105135Z
UID:1062-1753189200-1753196400@bulwaganngdangal.upd.edu.ph
SUMMARY:On Local Ecologies: Artist Roundtable on Exhibiting 'Art and Ecology' in / for / from a University
DESCRIPTION:Samahan ang mga manlilikha ng mga instalasyong naging bahagi ng Kalikhasan na sina Dayang Yraola\, Karl Castro\, at Isola Tong sa isang makabuluhang diskusyon tungkol sa pagbuo ng eksibit na tumutugon sa mga isyung pang-kalikasan at ekolohikal sa ating Unibersidad. Makakasama rin natin si Kat. Prop. Mark Louie Lugue\, ang co-curator ng Kalikhasan project\, bilang tagapagpadaloy ng programa. \nRoundtable Abstract:In the country\, earlier attempts at exhibiting art guided by ecological consciousness can be traced back to the 1970s\, a period that witnessed a notable growth in environmentalism. Around half a century forward\, more art exhibitions led and hosted locally have sought to tease out and underscore the ties between art and ecology. These tapped on the potential of art in surfacing the impact of humanity on the environment and in raising climate awareness. In the same vein\, institutions and other groups began to examine or further reexamined their ways of working in response to the challenges of environmental sustainability.This roundtable finds its position within this landscape by asking: What is added when we forward art as a proposition to ecological discourses through an exhibition situated in\, for\, and/or from a university? The University is a setting that is poised to offer a compelling perspective and starting point given its potential to be a progressive site of knowledge co-production despite inherent contradictions presented by the bureaucracies and conventions it tends to maintain as an institution. This potential rests in how the institution can flesh out and engender intergenerational exchanges and collaborations amongst its diverse disciplinal grounds and communities. More specifically\, the session asks: What can the unique contours of the University of the Philippines Diliman—its institutional history\, physical environment\, communities\, legacies\, and present affairs—contribute to these ongoing conversations? Drawing from the idea of “local ecologies\,” the forum shall see the university as both a microcosm intrinsically linked with broader environmental systems\, and a distinct ecosystem in its own right. Taking this as a frame for understanding the UPD community\, the forum brings together artists Dayang Yraola\, Karl Castro\, and Isola Tong\, who recently participated in the exhibition “Kalikhasan: Outdoor Art Projects on Campus Ecology” that ran from February to June this year. It offers an opportunity to reflect on the experience of conceiving and mounting outdoor and site-specific artworks that resonate with ecological discourses within and beyond the university\, as they intersected with longstanding conversations on politics\, class\, and gender.
URL:https://bulwaganngdangal.upd.edu.ph/event/on-local-ecologies-artist-roundtable-on-exhibiting-art-and-ecology-in-for-from-a-university/
LOCATION:Pilar Herrera Hall\, Palma Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2025/07/localecologies.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20260209T130000
DTEND;TZID=Asia/Shanghai:20260223T160000
DTSTAMP:20260405T121121
CREATED:20260205T061033Z
LAST-MODIFIED:20260205T070151Z
UID:1113-1770642000-1771862400@bulwaganngdangal.upd.edu.ph
SUMMARY:ABUEVA IKOTOUR: Whom Art Should Serve
DESCRIPTION:The Bulwagan ng Dangal University Heritage Museum presents 𝐀𝐁𝐔𝐄𝐕𝐀 𝐈𝐊𝐎𝐓𝐎𝐔𝐑: 𝐖𝐡𝐨𝐦 𝐀𝐫𝐭 𝐒𝐡𝐨𝐮𝐥𝐝 𝐒𝐞𝐫𝐯𝐞\, a roving survey of Napoleon V. Abueva’s public art in UP Diliman. The walking and riding tour utilizes the 𝐔𝐏 𝐈𝐤𝐨𝐭 𝐣𝐞𝐞𝐩𝐧𝐞𝐲\, a campus icon since the University’s transfer to Diliman in 1949.\n\n\n\n𝐍𝐚𝐩𝐨𝐥𝐞𝐨𝐧 𝐕. 𝐀𝐛𝐮𝐞𝐯𝐚 (1930–2018)\, the youngest recipient of the National Artist award\, created many of UP Diliman’s enduring landmarks\, including 𝑇ℎ𝑒 𝐶𝑟𝑢𝑐𝑖𝑓𝑖𝑥\, 𝑈𝑛𝑖𝑣𝑒𝑟𝑠𝑖𝑡𝑦 𝐺𝑎𝑡𝑒𝑤𝑎𝑦\, 𝑇𝑟𝑖𝑏𝑢𝑡𝑒 𝑡𝑜 𝐻𝑖𝑔ℎ𝑒𝑟 𝐸𝑑𝑢𝑐𝑎𝑡𝑖𝑜𝑛\, 𝑆𝑖𝑦𝑎𝑚 𝑛𝑎 𝐷𝑖𝑤𝑎𝑡𝑎 𝑛𝑔 𝑆𝑖𝑛𝑖𝑛𝑔\, 𝑇ℎ𝑟𝑒𝑒 𝑊𝑜𝑚𝑒𝑛 𝑆𝑒𝑤𝑖𝑛𝑔 𝑎 𝐹𝑙𝑎𝑔\, and 𝑀𝑎𝑔𝑑𝑎𝑛𝑔𝑎𝑙. This ikotouring exhibition commemorates the 𝟓𝟎𝐭𝐡 𝐚𝐧𝐧𝐢𝐯𝐞𝐫𝐬𝐚𝐫𝐲 𝐨𝐟 𝐡𝐢𝐬 𝐜𝐨𝐧𝐟𝐞𝐫𝐦𝐞𝐧𝐭 𝐚𝐬 𝐍𝐚𝐭𝐢𝐨𝐧𝐚𝐥 𝐀𝐫𝐭𝐢𝐬𝐭. \n\n\n\n 𝗧𝗼𝘂𝗿 𝘀𝗰𝗵𝗲𝗱𝘂𝗹𝗲𝘀:\n𝗙𝗲𝗯𝗿𝘂𝗮𝗿𝘆 𝟵\, 𝟭𝟲\, 𝗮𝗻𝗱 𝟮𝟯 (𝗠𝗼𝗻𝗱𝗮𝘆𝘀)\n\n𝟭:𝟬𝟬–𝟰:𝟬𝟬 𝗣𝗠 \n\n\n\n\n 𝗥𝗲𝗴𝗶𝘀𝘁𝗿𝗮𝘁𝗶𝗼𝗻 𝗱𝗲𝘁𝗮𝗶𝗹𝘀\, 𝗶𝗻𝗰𝗹𝘂𝗱𝗶𝗻𝗴 𝗤𝗥 𝗰𝗼𝗱𝗲𝘀 𝗮𝗻𝗱 𝗹𝗶𝗻𝗸𝘀\, 𝘄𝗶𝗹𝗹 𝗯𝗲 𝗽𝗼𝘀𝘁𝗲𝗱 𝗶𝗻 𝗮 𝘀𝗲𝗽𝗮𝗿𝗮𝘁𝗲 𝗽𝗼𝘀𝘁\, 𝗽𝗹𝗲𝗮𝘀𝗲 𝘄𝗮𝘁𝗰𝗵 𝗼𝘂𝘁 𝗳𝗼𝗿 𝗶𝘁. \n\n\n\n\nThis project is part of the 𝐔𝐏 𝐃𝐢𝐥𝐢𝐦𝐚𝐧 𝐀𝐫𝐭𝐬 𝐚𝐧𝐝 𝐂𝐮𝐥𝐭𝐮𝐫𝐞 𝐅𝐞𝐬𝐭𝐢𝐯𝐚𝐥 𝟐𝟎𝟐𝟔 (𝐔𝐏𝐃𝐀𝐂𝐅 𝟐𝟎𝟐𝟔)\, themed “𝐈𝐬𝐚𝐧𝐠 𝐔𝐧𝐢𝐛𝐞𝐫𝐬𝐢𝐝𝐚𝐝 𝐩𝐚𝐫𝐚 𝐬𝐚 𝐈𝐬𝐚𝐧𝐠 𝐈𝐧𝐤𝐥𝐮𝐬𝐢𝐛𝐨 𝐚𝐭 𝐌𝐚𝐩𝐚𝐠𝐤𝐚𝐥𝐢𝐧𝐠𝐚𝐧𝐠 𝐋𝐢𝐩𝐮𝐧𝐚𝐧\,” which highlights and celebrates initiatives within and beyond the UP Diliman campus that value diverse forms of knowledge\, experience\, and expression that shape our community. \n\n\n\nJoin us and reflect on public art\, movement\, and the enduring question: 𝐖𝐡𝐨𝐦 𝐬𝐡𝐨𝐮𝐥𝐝 𝐚𝐫𝐭 𝐬𝐞𝐫𝐯𝐞?
URL:https://bulwaganngdangal.upd.edu.ph/event/abueva-ikotour-whom-art-should-serve/
LOCATION:University of the Philippines Diliman\, Philippines
ATTACH;FMTTYPE=image/png:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2026/02/Abueva-Ikotour-Poster.png
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