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X-ORIGINAL-URL:https://bulwaganngdangal.upd.edu.ph
X-WR-CALDESC:Events for Bulwagan ng Dangal University Heritage Museum - University of the Philippines Diliman
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BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20100201T000000
DTEND;TZID=Asia/Shanghai:20100430T235959
DTSTAMP:20260424T085053
CREATED:20240518T123230Z
LAST-MODIFIED:20240525T061117Z
UID:448-1264982400-1272671999@bulwaganngdangal.upd.edu.ph
SUMMARY:Imperial Reproductions: Imag(in)ing the Philippines in Color
DESCRIPTION:Scanning the various aspects of Philippine life are hand-drawn\, painted\, or photographic images on glass suited for projection. As a form\, these were introduced in the United States in the 1850s and were popular all throughout the First World War. This prevalence owed to the attraction of color\, as well as the capacity of the medium to reach a larger audience through projection. This kind of reach gave photography the chance to lay claim to a broader constituency\, changing it from an intimate art of memorabilium to a mass-scale instrument of entertainment\, education\, and popular culture. \nThe colony as a possession depicted in the postcards is made to work as an efficient economy and a productive polity. It must be able to govern itself\, prepare labor for assembly lines\, condition consciousness for the industry of culture. Both infrastructure of public administration and disposition for a lifestyle are installed from the ground up. From schools to hospitals\, from bridges to ports\, the sense of a hectic outpost roused to life and touched to the quick by imperial industry is brought to sharper focus by photography\, even as it crops out the hidden costs of progress.
URL:https://bulwaganngdangal.upd.edu.ph/event/imperial-reproductions-imagining-the-philippines-in-color/
LOCATION:Bulwagan ng Dangal Atelyer
CATEGORIES:Exhibitions
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BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20091127T000000
DTEND;TZID=Asia/Shanghai:20091231T235959
DTSTAMP:20260424T085053
CREATED:20240510T122909Z
LAST-MODIFIED:20240525T080028Z
UID:438-1259280000-1262303999@bulwaganngdangal.upd.edu.ph
SUMMARY:Re-viewing Rodriguez
DESCRIPTION:The fine art of print re-emerged as a form of artistic expression in the Philippines in 1962 with the return of artistic avatar Manuel Rodriguez Sr. (b. Cebu City\, 1 January 1912) from a Rockefeller Foundation grant in the United States. The grant provided Rodriguez the opportunity to work with South American printmaker and woodcut artist Mauricio Lasansky in Iowa and to hone his skills in various graphic media at the Pratt Institute in New York. \nThe almost selfless dedication that characterized Rodriguez’s crusade to restore the glory of printmaking in the country and introduce modern attributes towards the art form earned him recognition as the “Father of Filipino Printmaking.” \nWrite-up from What’s Up? (November-December 2009 Issue)
URL:https://bulwaganngdangal.upd.edu.ph/event/re-viewing-rodriguez/
LOCATION:Bulwagan ng Dangal Atelyer
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/png:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Screenshot-2024-05-25-at-16.00.01.png
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BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20090618T000000
DTEND;TZID=Asia/Shanghai:20091231T235959
DTSTAMP:20260424T085053
CREATED:20240510T121740Z
LAST-MODIFIED:20240525T061036Z
UID:434-1245283200-1262303999@bulwaganngdangal.upd.edu.ph
SUMMARY:Pag-asa ng Bayan
DESCRIPTION:The contents of the Bulwagan ng Dangal’s inaugural show\, Pag-Asa ng Bayan\, were from the University Art Collection\, presenting the university’s history through art objects depicting key figures and events\, such as bust sculptures of national heroes from the University Library Collection\, portraits of past UP presidents\, and paintings from the College of Law Collection\, as well as pieces of public art\, specifically the Oblation at Quezon Hall. The title is taken from a line in the university’s hymn\, “speaks of the possibility of change that animates a forever expectant nation and people.”
URL:https://bulwaganngdangal.upd.edu.ph/event/pag-asa-ng-bayan/
CATEGORIES:Exhibitions
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