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PRODID:-//Bulwagan ng Dangal University Heritage Museum - University of the Philippines Diliman - ECPv6.15.20//NONSGML v1.0//EN
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X-WR-CALNAME:Bulwagan ng Dangal University Heritage Museum - University of the Philippines Diliman
X-ORIGINAL-URL:https://bulwaganngdangal.upd.edu.ph
X-WR-CALDESC:Events for Bulwagan ng Dangal University Heritage Museum - University of the Philippines Diliman
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TZID:Asia/Shanghai
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TZOFFSETFROM:+0800
TZOFFSETTO:+0800
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DTSTART:20080101T000000
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BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20110207T000000
DTEND;TZID=Asia/Shanghai:20110331T235959
DTSTAMP:20260421T141026
CREATED:20240518T123159Z
LAST-MODIFIED:20240525T075051Z
UID:532-1297036800-1301615999@bulwaganngdangal.upd.edu.ph
SUMMARY:Bozzetos
DESCRIPTION:The contemporary art scene in the Philippines effuses a synergy of inventive images and intuitive ideas as espoused by young and established names in mainstream exhibition circuit. This accrual of incisive forays in fact is dizzying as it is engaging. Almost always\, in the forefront of these pursuits are artists honed by and educated in the University of the Philippines College of Fine Arts (UPCFA)\, the oldest institution of higher learning in the country dedicated to the visual arts. \nThe exhibition entitled Bozzetos convincingly ranges this diversity. \nThe Vasari Hall of the Auditorium al Duomo in Florence\, Italy is transformed to simulate a working bottega\, where these artistic ramblings and murmurings take shape and form\, and where these conceptual meanderings and conjecturings are earnestly given context and meaning. \nTwenty-six Filipino artists have been invited to participate in the exhibition. They contribute each a series of works on paper\, except for two paintings done on canvas by Lina Llaguno-Ciano\, who for 42 years now\, has called Rome her home. \nTogether\, the works encapsulate individual pursuits that inform artistic styles such as personalized techniques in media application and serious explorations with industrial\, nay heretofore non-conventional\, materials to expand art making. Some works are executed in mixed media\, while others involved image appropriations\, mediation and even migration.
URL:https://bulwaganngdangal.upd.edu.ph/event/bozzetos/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/png:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Screenshot-2024-05-25-at-15.50.23.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20110207T000000
DTEND;TZID=Asia/Shanghai:20110331T235959
DTSTAMP:20260421T141026
CREATED:20240515T121803Z
LAST-MODIFIED:20240525T061706Z
UID:536-1297036800-1301615999@bulwaganngdangal.upd.edu.ph
SUMMARY:Sulyap sa Baro at Saya: Silayan ang Kola de Saya
DESCRIPTION:The exhibition showcases the College of Home Economics’ costume collection and marks the series of events for its 50th year celebration. It represents choice pieces from the collection of dresses from as early as the 1930s to the 1970s. The exhibition aims to explore the costume and dress within socio-cultural contexts through the following themes: body\, clothing and feminine ideals; women\, family and society; craft\, technology and the arts. \nThese shed light on roles expected of women\, within family and Philippine society in the periods covered by the collection. Clothing in the context of daily life is explored through vignettes and narrative accounts that attempt to transport viewers to the historical period referenced. The role of the College in shaping notions of family and family-life is highlighted through the exhibit themes. \nIsland displays are proposed for each theme. The costumes from the collection are vital elements of the displays and used as starting point to explore the themes\, thus\, the displays bring together objects and texts that converge through dress. \nWrite-up from What’s Up? (July-August 2011 Issue)
URL:https://bulwaganngdangal.upd.edu.ph/event/sulyap-sa-baro-at-saya-silayan-ang-kola-de-saya/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/CHE-tarp-5x3-kola-25-May-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20110207T000000
DTEND;TZID=Asia/Shanghai:20110306T235959
DTSTAMP:20260421T141026
CREATED:20240518T123208Z
LAST-MODIFIED:20240525T061415Z
UID:529-1297036800-1299455999@bulwaganngdangal.upd.edu.ph
SUMMARY:Arkitektura+Moda: Stylistic Parallels of Architecture and Fashion
DESCRIPTION:The exhibit\, curated by Gerard Lico\, probes into the stylistic congruence of architecture and fashion at various points of Philippine cultural history. Although the relationship between architecture and fashion was recognized more than a century ago\, the connection between them has rarely been explored by historians\, designers and architects. The exhibition underscores intersections of architecture and fashion in Philippine context for both practices are concerned not only with geometrical experimentations\, constructional methods\, aesthetic and cultural expressions of identities\, but above all\, implement creative responses in the provision of shelter and protection for the human body against the elements regardless of scale. \nThe 15-piece collection features the avant-garde interpretations of Ivan Raborar of Koronadal City\, Emi Alexander English of Davao City and Pepe Quitco\, Joey Rodriguez and Wilfred Yee of Cotobato City. \nWrite-up from What’s Up? (January-February 2011 Issue) \n 
URL:https://bulwaganngdangal.upd.edu.ph/event/arkitekturamoda-stylistic-parallels-of-architecture-and-fashion/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Moda-Poster-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20110201T000000
DTEND;TZID=Asia/Shanghai:20110228T235959
DTSTAMP:20260421T141026
CREATED:20240512T122025Z
LAST-MODIFIED:20240525T061320Z
UID:459-1296518400-1298937599@bulwaganngdangal.upd.edu.ph
SUMMARY:Archi[types/text]: Architecture in Philippine Life
DESCRIPTION:This project is about forms and figures. Architecture is grasped as a mode or manner\, a blueprint of practice. It is also reckoned as a consciousness\, a perspective through which space is sensed and lived out. These two aspects converge in eight exhibitions on landscape and urban planning\, painting and photography\, cinema and post cards. In all these instances\, architecture is imagined as at once type and text because it is both a thing and a subjectivity\, an artifact and a sensibility. Edifices are fleshed out by memory. Identity takes place. The city is mapped. Painters and photographers render locales. Vicinities become settings in the fictions of the screen. Architecure finally becomes complex in culture and history: it is formative and figurative.
URL:https://bulwaganngdangal.upd.edu.ph/event/architypes-text-architecture-in-philippine-life/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/png:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Architypestext-Architecture-in-Philippine-Life-copy.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20100618T000000
DTEND;TZID=Asia/Shanghai:20100915T235959
DTSTAMP:20260421T141026
CREATED:20240512T120003Z
LAST-MODIFIED:20240525T061255Z
UID:450-1276819200-1284595199@bulwaganngdangal.upd.edu.ph
SUMMARY:Monochromed Memories: UP Landmarks Exhibition
DESCRIPTION:The University of the Philippines (UP) turned a century old in 2008. \nTo mark the milestone\, the Philippine Republic gifted the University\, by way of amendment of the very charter that created the institution in 1908\, the status of being the national university in the Philippines for its trailblazing role in advancing the cause of higher education through excellent academic programs\, cutting edge research and exemplary public service. \nFrom a small campus with seven colleges in downtown Manila\, the University has grown today into a multiversity with seven constituent universities throughout the country\, nurturing the intellectual and cultural growth of the Filipino people through the widest and most varied undergraduate and graduate degree offerings\, and producing creative and intellectual outputs of the highest and finest calibre in the service of the nation\, the region\, and the world. \nIn memorialising this historic appointment\, the Office for Initiatives in Culture and the Arts (OICA) presents Monochromes Memories: UP Landmarks Exhibition consisting of prints\, sketches\, and drawings of campus landmarks done by alumni and student artists of the College of Fine Arts (CFA) — one of the pioneering units of UP and the oldest school of fine arts in the country. \nThe 35 drawings comprising the collection are handsome portraits of the University that generously depict its vastness and illustrious history. The collection foregrounds the University as a heritage educational site in the Philippines\, presenting a rich legacy of buildings and artworks of national import and renown. Texts serve as contextual pivots in the continuing narrative of the University and the nation.
URL:https://bulwaganngdangal.upd.edu.ph/event/monochromed-memories-up-landmarks-exhibition/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Cover-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20100518T000000
DTEND;TZID=Asia/Shanghai:20100915T235959
DTSTAMP:20260421T141026
CREATED:20240512T120900Z
LAST-MODIFIED:20240518T014821Z
UID:455-1274140800-1284595199@bulwaganngdangal.upd.edu.ph
SUMMARY:Diliman: Tracing the Terrain
DESCRIPTION:This exhibition traces the physical genesis of the flagship campus of the University of the Philippines in Diliman\, from its inception in 1939 to the present via the original drawings\, archival blueprints\, and other artifacts from the University’s institutional collection. \nThe University of the Philippines in Diliman has proven to be a model of campus architecture and planning. It boasts a stylistically diverse ensemble of buildings and public art set in a landscaped environment — creating a milieu where thought and discourse freely take flight. This diversity is the result of the evolution of its campus plan\, in face of changing architectural theories and styles\, as a manifestation of its dynamic and ensconced relationship with the concerns and events of the nation. \nWhile the campus now has a number of landmark buildings by name architects and National Artists\, its buildings do not operate as individual units\, but as an ensemble\, collectively creating spaces that are conducive to scholarly pursuit. The name Diliman may have originated from the edible species of fern which once thrived abundantly in the area\, but now\, the name Diliman is synonymous to architectural integrity and intellectual inspiration\, due in large part to the University of the Philippines. A distinct sense of place has been created — a venue that hones convictions\, shapes values and nourishes critical minds and creative imaginations.
URL:https://bulwaganngdangal.upd.edu.ph/event/diliman-tracing-the-terrain/
LOCATION:Bulwagan ng Dangal University Heritage Museum
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Tracing-the-Terrain-and-Monochromed-Memories-Invitation.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20100315T000000
DTEND;TZID=Asia/Shanghai:20100430T235959
DTSTAMP:20260421T141026
CREATED:20240517T030831Z
LAST-MODIFIED:20240525T061216Z
UID:441-1268611200-1272671999@bulwaganngdangal.upd.edu.ph
SUMMARY:Art from Baler: A Visual Art Exhibit of Dimalangat Community
DESCRIPTION:Featuring photographs of the Dumagat and Ilongot people\, as well as archival photos of Spanish soldiers and old sites\, Baler Aurora is a visual arts show that highlights the history and beauty of Baler\, Aurora\, as a place that has produced outstanding individuals. It is a retrospection\, but also a recognition that Baler and its art community is a “work in progress”. It features artworks by Eufemiano Amansec Jr.\, John Blanco\, Roy Buen\, Val Davidson De Leon\, Sherwin Paul Gonzales\, Vincent Christopher Gonzales\, Amado Jimenez\, Ian Asis Maigan\, Jaypee Nidoy\, Jasmin Micah Pasion\, Erwin Prepose\, Ibunsod Querijero\, Rosanna Querijero\, Marvin Soriano\, and Jose Johann L. Bitancor.
URL:https://bulwaganngdangal.upd.edu.ph/event/art-from-baler-a-visual-art-exhibit-of-dimalangat-community/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Art-From-Baler-Poster-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20100215T000000
DTEND;TZID=Asia/Shanghai:20100331T235959
DTSTAMP:20260421T141026
CREATED:20240518T123221Z
LAST-MODIFIED:20240525T075642Z
UID:446-1266192000-1270079999@bulwaganngdangal.upd.edu.ph
SUMMARY:Baler\, Aurora (An Ethnographic Exhibit on its History\, People and Art)
DESCRIPTION:Baler\, Aurora: The exhibit at the Bulwagan ng Dangal\, UP Diliman’s University Heritage Museum\, is largely an ethnographic exhibit that foregrounds the town of Baler in Aurora. Curated by Prof. Ruben D.F. Defeo\, it opens February 15 and runs until March 31. \nFor the exhibit\, the siege fo Baler is chosen because of its impact in the life of the people of Baler. A major area of the Bulwagan simulates the Baler church interior where the action took place. A looped version of the documentary film on the siege of Baler entitled Los Ultimos de Filipinas is screened on a set schedule every day of the exhibit. \nThe exhibit also presents the community of Ilongot through vintage photographs of this fast vanishing tradition. \nA special segment of the exhibit focuses on the various creative ways where Baler is depicted in art. A formal presentation\, this section features diverse artworks that portray musings on Baler by artists from the UP College of Fine Arts Leo Abaya and Denes Dasco. The installative sitework of Junyee uses coco coir and other materials extracted from the coconut tree\, thus providing an apt preview of the current state of industries in Baler. \nWrite-up from What’s UP? (January-February 2010 Issue)
URL:https://bulwaganngdangal.upd.edu.ph/event/baler-aurora-an-ethnographic-exhibit-on-its-history-people-and-art/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/png:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Screenshot-2024-05-25-at-15.54.11.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20100201T000000
DTEND;TZID=Asia/Shanghai:20100430T235959
DTSTAMP:20260421T141026
CREATED:20240518T123230Z
LAST-MODIFIED:20240525T061117Z
UID:448-1264982400-1272671999@bulwaganngdangal.upd.edu.ph
SUMMARY:Imperial Reproductions: Imag(in)ing the Philippines in Color
DESCRIPTION:Scanning the various aspects of Philippine life are hand-drawn\, painted\, or photographic images on glass suited for projection. As a form\, these were introduced in the United States in the 1850s and were popular all throughout the First World War. This prevalence owed to the attraction of color\, as well as the capacity of the medium to reach a larger audience through projection. This kind of reach gave photography the chance to lay claim to a broader constituency\, changing it from an intimate art of memorabilium to a mass-scale instrument of entertainment\, education\, and popular culture. \nThe colony as a possession depicted in the postcards is made to work as an efficient economy and a productive polity. It must be able to govern itself\, prepare labor for assembly lines\, condition consciousness for the industry of culture. Both infrastructure of public administration and disposition for a lifestyle are installed from the ground up. From schools to hospitals\, from bridges to ports\, the sense of a hectic outpost roused to life and touched to the quick by imperial industry is brought to sharper focus by photography\, even as it crops out the hidden costs of progress.
URL:https://bulwaganngdangal.upd.edu.ph/event/imperial-reproductions-imagining-the-philippines-in-color/
LOCATION:Bulwagan ng Dangal Atelyer
CATEGORIES:Exhibitions
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20091127T000000
DTEND;TZID=Asia/Shanghai:20091231T235959
DTSTAMP:20260421T141026
CREATED:20240510T122909Z
LAST-MODIFIED:20240525T080028Z
UID:438-1259280000-1262303999@bulwaganngdangal.upd.edu.ph
SUMMARY:Re-viewing Rodriguez
DESCRIPTION:The fine art of print re-emerged as a form of artistic expression in the Philippines in 1962 with the return of artistic avatar Manuel Rodriguez Sr. (b. Cebu City\, 1 January 1912) from a Rockefeller Foundation grant in the United States. The grant provided Rodriguez the opportunity to work with South American printmaker and woodcut artist Mauricio Lasansky in Iowa and to hone his skills in various graphic media at the Pratt Institute in New York. \nThe almost selfless dedication that characterized Rodriguez’s crusade to restore the glory of printmaking in the country and introduce modern attributes towards the art form earned him recognition as the “Father of Filipino Printmaking.” \nWrite-up from What’s Up? (November-December 2009 Issue)
URL:https://bulwaganngdangal.upd.edu.ph/event/re-viewing-rodriguez/
LOCATION:Bulwagan ng Dangal Atelyer
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/png:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Screenshot-2024-05-25-at-16.00.01.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20090618T000000
DTEND;TZID=Asia/Shanghai:20091231T235959
DTSTAMP:20260421T141026
CREATED:20240510T121740Z
LAST-MODIFIED:20240525T061036Z
UID:434-1245283200-1262303999@bulwaganngdangal.upd.edu.ph
SUMMARY:Pag-asa ng Bayan
DESCRIPTION:The contents of the Bulwagan ng Dangal’s inaugural show\, Pag-Asa ng Bayan\, were from the University Art Collection\, presenting the university’s history through art objects depicting key figures and events\, such as bust sculptures of national heroes from the University Library Collection\, portraits of past UP presidents\, and paintings from the College of Law Collection\, as well as pieces of public art\, specifically the Oblation at Quezon Hall. The title is taken from a line in the university’s hymn\, “speaks of the possibility of change that animates a forever expectant nation and people.”
URL:https://bulwaganngdangal.upd.edu.ph/event/pag-asa-ng-bayan/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Cover-e1715343526887.jpg
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