BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Bulwagan ng Dangal University Heritage Museum - University of the Philippines Diliman - ECPv6.15.20//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://bulwaganngdangal.upd.edu.ph
X-WR-CALDESC:Events for Bulwagan ng Dangal University Heritage Museum - University of the Philippines Diliman
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Asia/Shanghai
BEGIN:STANDARD
TZOFFSETFROM:+0800
TZOFFSETTO:+0800
TZNAME:CST
DTSTART:20110101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20170908T000000
DTEND;TZID=Asia/Shanghai:20170928T235959
DTSTAMP:20260421T141818
CREATED:20240529T062321Z
LAST-MODIFIED:20240529T062321Z
UID:826-1504828800-1506643199@bulwaganngdangal.upd.edu.ph
SUMMARY:Con.Currents: Points of Sublation
DESCRIPTION:As contemporary performance aesthetics gear more and more toward the (re)presentation of the performance process as crucial\, if not\, central to the totality of the performance experience – from Brecht to Boal\, to Bourriard to Ranciere – Con.Currents attempts to interrogate as well as capture the flow and transformation of ideas\, bodies and narratives through collaborative/creative-curatorial performance-making\, conversations\, and modalities of spectatorship.  \nCon.Currents converges different flows to a point of continuous unfolding in various junctures and spaces — a concurrence of ever-surging\, ever-evolving currents. Viewing the exhibit is\, therefore\, both an experience of a specific performance and yet\, also\, a moment in the performance’s unfolding — a totality that perpetually invokes continuation and is thus ever only a fraction.
URL:https://bulwaganngdangal.upd.edu.ph/event/con-currents-points-of-sublation/
LOCATION:Bulwagan ng Dangal Main Hall and Atelyer
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Con-Currents-Poster.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20170818T000000
DTEND;TZID=Asia/Shanghai:20170901T235959
DTSTAMP:20260421T141818
CREATED:20240529T061918Z
LAST-MODIFIED:20240529T061918Z
UID:822-1503014400-1504310399@bulwaganngdangal.upd.edu.ph
SUMMARY:Dissident Vicinities
DESCRIPTION:“The exhibition ‘Dissident Vicinities’ responds to moments— lived or archived—in the histories of people’s movements for liberation and rights in the Philippines. It reflects on the questions: How are people’s struggles visualised within various localities and spheres?  How do social movements\, in turn\, contribute to the visual culture of collective resistance? \nThe exhibition touches on how cultural work and production contributes to arenas of struggle. Such instances of rupture and advance across zones traditional and subaltern yield material objects as evidence of dissent: works of art\, archival materials and agitational propaganda. Let these encounters be reminders of what can and should be in this time of power writ large; in this period of looming authoritarianism\, empire guised as integration\, and climates of peril.”
URL:https://bulwaganngdangal.upd.edu.ph/event/dissident-vicinities/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/dv-socmed-MAINv4.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20170613T000000
DTEND;TZID=Asia/Shanghai:20170810T235959
DTSTAMP:20260421T141818
CREATED:20240513T072431Z
LAST-MODIFIED:20240525T062921Z
UID:520-1497312000-1502409599@bulwaganngdangal.upd.edu.ph
SUMMARY:A Man and His Relations
DESCRIPTION:Taking from the African proverb “It takes a village to raise a child”\, Cesar Legaspi’s\, second exhibition for his centennial series hinges on how forms of community including but also beyond family and home make the production of art possible. Called A Man and His Relations\, the exhibition takes place in Legaspi’s alma mater on June 13 at the University of the Philippines Bulwagan ng Dangal Museum. The exhibition assembles works from Legaspi’s family collection\, choice works of his peers from the university collection\, and interaction pieces Legaspi gamely worked on from the 1970s to 1980s with colleagues and kin. \nCesar Legaspi graduated from the UP College of Fine Arts in UP Diliman. He was one of the pioneers of the neo-realist genre in painting. A prominent member of the Thirteen Moderns\, he is widely known for his contributions to Philippine Modern Art. His style transformed Western visual grammar into localized textures and scenes enriching modern design and technique for subsequent generations of Filipino artists. He was awarded National Artist for Visual Arts in 1990. Bulwagan ng Dangal endeavours to introduce works by Legaspi and his peers to a younger generation of students and the public beyond university communities.
URL:https://bulwaganngdangal.upd.edu.ph/event/a-man-and-his-relations/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/A-Man-and-His-Relations-Poster-.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20170606T000000
DTEND;TZID=Asia/Shanghai:20170731T235959
DTSTAMP:20260421T141818
CREATED:20240513T071748Z
LAST-MODIFIED:20240525T063019Z
UID:514-1496707200-1501545599@bulwaganngdangal.upd.edu.ph
SUMMARY:Langue Lounge: Forgetory
DESCRIPTION:Jose Tence Ruiz’s LangueLounge: Forgetory is a site-specific installation that is a meditation on the cult of glib and overwhelming information over truth. LangueLounge works with image and meaning in relation to contemporary life and society. High backed chairs lined with red velvet is related to the image of high and honorable status\, of luxury and comfort that is desired and possessed. But upon closer inspection these honorable chairs turn out to be electric chairs\, and what seems to be an opulent and elegant thing is an object of torture. The work calls for closer scrutiny on what is seen and heard\, an encouragement to move out of places of comfort\, conformity\, and complacency. To be brave\, even a minute longer. \nLangueLounge: Forgetory was initially made for and exhibited at the ARTFair Philippines 2017\, and was subsequently installed at the Far Eastern University as a center piece in Hudyat\, an exhibition decrying the state of extra judicial killings and asserting the principle of human dignity. This third installation is a new iteration from previous exhibitions\, and will be installed at the Atelyer gallery of the Bulwagan ng Dangal at the University of the Philippines from 6 June to 31 July 2017.
URL:https://bulwaganngdangal.upd.edu.ph/event/langue-lounge-forgetory/
LOCATION:Bulwagan ng Dangal Atelyer Gallery
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Launge-Poster.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20170512T000000
DTEND;TZID=Asia/Shanghai:20170527T235959
DTSTAMP:20260421T141818
CREATED:20240516T124649Z
LAST-MODIFIED:20240525T063039Z
UID:504-1494547200-1495929599@bulwaganngdangal.upd.edu.ph
SUMMARY:Still / Moving
DESCRIPTION:The creation of artistic form fundamentally is a production of space. Distinct from space as a certain physical actuality\, space here is considered as something that can be artistically constructed out of traditional visual art media\, objects\, sites\, measures\, time-based and durational means\, concepts\, psycho and socio-physical interaction\, ritual\, virtual\, and broadcast technologies. Art production along these lines have had generated problems and challenges to the artist in the quest of creating meaningful form. Here\, the artists demonstrate their art process through projects focused on space that show their unique sensibility\, set skills\, and strategies. \nSTILL/MOVING presents the end of semester output of the four Master of Fine Arts students of the UP College of Fine Arts as they tackle problems in the creation of space in artmaking in FA 215 under Professor Katti Sta. Ana.
URL:https://bulwaganngdangal.upd.edu.ph/event/still-moving/
LOCATION:Bulwagan ng Dangal Atelyer Gallery
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/STILL-MOVING.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20170508T000000
DTEND;TZID=Asia/Shanghai:20170522T235959
DTSTAMP:20260421T141818
CREATED:20240517T064409Z
LAST-MODIFIED:20240525T063112Z
UID:508-1494201600-1495497599@bulwaganngdangal.upd.edu.ph
SUMMARY:Multiple Modalities
DESCRIPTION:
URL:https://bulwaganngdangal.upd.edu.ph/event/multiple-modalities/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Multiple-Modalities-Poster-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20170417T000000
DTEND;TZID=Asia/Shanghai:20170429T235959
DTSTAMP:20260421T141818
CREATED:20240517T064525Z
LAST-MODIFIED:20240527T015703Z
UID:591-1492387200-1493510399@bulwaganngdangal.upd.edu.ph
SUMMARY:TAWID: Design Beyond Borders
DESCRIPTION:TAWID: Design Beyond Borders aims to elevate the quality of life and growth of the children through the provision of distinct furniture pieces and interactive accessories designed primarily for them. Taking on an interdisciplinary approach\, the project touches on collaborative design to establish the concept of building bridges with other disciplines\, all towards the greater goal of a better life for the poorest children of Metro Manila. \nThis exhibit\, organized by UP Interior Design Class of 2017\, is for the benefit of Tulay ng Kabataan\, a foundation dedicated to serve and care for the street children of Metro Manila.
URL:https://bulwaganngdangal.upd.edu.ph/event/tawid-design-beyond-borders/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/17855543_1370132549733941_2049507616470957969_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20170404T000000
DTEND;TZID=Asia/Shanghai:20170427T235959
DTSTAMP:20260421T141818
CREATED:20240513T065028Z
LAST-MODIFIED:20240527T021010Z
UID:498-1491264000-1493337599@bulwaganngdangal.upd.edu.ph
SUMMARY:RE-PLACE: Mapping the Story of FC
DESCRIPTION:April 1\, 2016: a fire blazed the Faculty Center\, destroying generations worth of archives\, book collections\, cherished mementos\, and invaluable research notes. In the wake of the first-year anniversary\, the emotional aftershocks felt by the UP CAL and CSSP community of professors\, administrative and support staff\, and students continue to linger on. Bearing the gravity of this weight in the hopes of ultimately healing\, the exhibit explores the narratives of loss and responses to the FC fire as a process of salvaging history. \nNegotiations of spatial belonging are physical\, psychological\, and social. There is an attempt to map out a “sense of place” of individual as well as collective displacements and losses\, struggles\, and breakthroughs. With the hub of radicalism\, intellectual zeal and endless discussion reduced to priceless memories\, what are the surrogate spaces of coping which emerged in the aftermath of the fire? How is an awareness and recognition of “place” crucial to a broader understanding of UP history and trajectory? \nSynergism exists between the process of healing and a counterflow of recollections\, unfolding a timeline of mini-narratives linked together to form the larger story of FC. Along with the exhibition of interactive art\, and published memories\, the timeline encourages the community’s on-site insertions\, propelling everyone to move forward with an outlet of desires for renewal and rebuilding.
URL:https://bulwaganngdangal.upd.edu.ph/event/re-place-mapping-the-story-of-fc/
LOCATION:Bulwagan ng Dangal Atelyer Gallery
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Re-Place-Mapping-the-Story-of-FC-Invitation.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20170307T000000
DTEND;TZID=Asia/Shanghai:20170328T235959
DTSTAMP:20260421T141818
CREATED:20240516T044131Z
LAST-MODIFIED:20240525T063216Z
UID:490-1488844800-1490745599@bulwaganngdangal.upd.edu.ph
SUMMARY:Karga Karga
DESCRIPTION:From the perspective of the urban condition\, Karga Karga explores the density and excess of human life and the spaces we inhabit. In cities\, people are literally stacked on top of each other\, may it be in the form of high rise condominiums or make-shift housing under bridges or empty lots. Yet\, for all the surplus things that inundate everyday life\, there is also an absence of the feelings of fulfillment and contentment. From this critique of deplorable living conditions\, the installation seeks to monumentalize adaptability and resourcefulness in the face of limitation. It invites us to examine the process and choices made behind these arrangements which could possibly point us to a transgressive view of life and work in the city. That in rising and facing predicaments\, to take things into one’s own hands\, is also a form of resistance in an increasingly oppressive and stifling world.
URL:https://bulwaganngdangal.upd.edu.ph/event/karga-karga/
LOCATION:Bulwagan ng Dangal Atelyer Gallery
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Karga-Karga-Pic-3.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20170228T000000
DTEND;TZID=Asia/Shanghai:20170303T235959
DTSTAMP:20260421T141818
CREATED:20240516T110151Z
LAST-MODIFIED:20240525T074127Z
UID:496-1488240000-1488585599@bulwaganngdangal.upd.edu.ph
SUMMARY:Kwentong Katha
DESCRIPTION:Salvaging Histories \nAs part of the UP Writers Club’s plans to showcase its rich literary history\, the Club made the effort to sift through its tangled past\, delving the various activities of the Club in years past. \nWhile there is much to be gleaned in the way the Club was ever-present in the consciousness of the UP community\, the unfortunate reality is that this information is lucky to survive to this age. What we have done to compensate is reproduce and reconstruct as many of these articles as best we can — an apt metaphor of our attempts to make sense of a muddled and confused past\, a history whose facts have been distorted by memory and age. \nOur hope is to give the audience insight into the difficult process of salvaging the past — of trying to capture as many of these brief snapshots of UP Writers Club history before they disappear and of recovering the story of the UP Writers Club from obscurity. \nKwentong Katha tells the history of the UP Writers’ Club through the editions of its literary folio The Literary Apprentice.
URL:https://bulwaganngdangal.upd.edu.ph/event/kwentong-katha/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/16804262_10154410410210753_7170461363477637224_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20170215T000000
DTEND;TZID=Asia/Shanghai:20170228T235959
DTSTAMP:20260421T141818
CREATED:20240516T042531Z
LAST-MODIFIED:20240525T063342Z
UID:429-1487116800-1488326399@bulwaganngdangal.upd.edu.ph
SUMMARY:Resonance and Transformations
DESCRIPTION:RESONANCE & TRANSFORMATIONS\, an exhibition of selected works from the University of the Philippines Art Collection.
URL:https://bulwaganngdangal.upd.edu.ph/event/resonance-and-transformations/
LOCATION:Bulwagan ng Dangal Atelyer Gallery
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Resonance-Pic-1-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20170131T000000
DTEND;TZID=Asia/Shanghai:20170210T235959
DTSTAMP:20260421T141818
CREATED:20240513T060121Z
LAST-MODIFIED:20240525T063409Z
UID:424-1485820800-1486771199@bulwaganngdangal.upd.edu.ph
SUMMARY:reading Maceda\, PRELUDE
DESCRIPTION:reading Maceda\, PRELUDE is an exhibit that attempts to summarize some of the key theories used by Maceda in his compositions — Technology\, Nature/Environment\, Space/Atmosphere and Time. Text from Maceda’s writings\, composition analysis by National Artist for Music Ramon P. Santos\, images\, scores\, audio files\, and music instruments are to be used to illustrate these theories. This exhibit also serves as a framework for participating artists\, composers and scholars in creating their work for the main exhibit later in 2017\, titled “ATTITUDE of the MIND.” \nCurator: Ms. Dayang Mnt Yraola\nGraphics: Amihan Animation Studio\nExhibit Assistant: Carl Tolosa\nResearcher: Roan Opiso\nConsultants: Dr. Verne de la Peña and National Artist Dr. Ramon P. Santos \nWith the support of the University of the Philippines\, the UP Vargas Museum\, and Pioneer Studios and media partner Agimat: Sining at Kulturang Pinoy
URL:https://bulwaganngdangal.upd.edu.ph/event/reading-maceda-prelude/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Reading-Maceda-Poster-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20170113T000000
DTEND;TZID=Asia/Shanghai:20170128T235959
DTSTAMP:20260421T141818
CREATED:20240516T040735Z
LAST-MODIFIED:20240525T063430Z
UID:411-1484265600-1485647999@bulwaganngdangal.upd.edu.ph
SUMMARY:Restorative
DESCRIPTION:RESTORATIVE is a collaborative exhibition honoring the traditional healing methods and culture of the Ivatan people\, an indigenous group at the extreme north of the Philippines. Whether one is a manuvatuva\, a mangaptus or a mamiyay\, they perform a curative and uplifting function in Ivatan society and culture. They are invisible threads that bind and regenerate aspects of the Ivatan identity.
URL:https://bulwaganngdangal.upd.edu.ph/event/restorative/
LOCATION:Bulwagan ng Dangal Atelyer Gallery
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Restorative-Poster.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20161203T000000
DTEND;TZID=Asia/Shanghai:20161216T235959
DTSTAMP:20260421T141818
CREATED:20240513T055005Z
LAST-MODIFIED:20240525T063450Z
UID:397-1480723200-1481932799@bulwaganngdangal.upd.edu.ph
SUMMARY:Spatial Territories
DESCRIPTION:Renowned geographer Carl Sauer lamented the lack of vocabulary to describe space\, a very crucial unit of geography. When words\, numbers\, and facts are naught\, images emerge as valuable sources of enlightenment. \nHow does one put a name on the sensed particularity of a space? In which realm does the space of human experience belong? The creation of artistic form is fundamentally a production of space. Distinct from space as a certain physical actuality\, space here is artistically constructed out of traditional visual art media\, objects\, virtual technologies\, new media\, ritual\, time-based\, and durational processes. \nThe exhibit will gather ten contemporary artists to produce spaces in the artists’ particular themes and media. All of them are forays into experiences of space – of miniature universes\, virtual connections\, memories\, discovery\, the psycho-spiritual\, and death. \nAll artworks were created under Katti Sta. Ana’s FA215 Class: Production of Space in Art Production (AY 2016-17) in UP Diliman’s College of Fine Art’s MFA Program\, in cooperation with UP Diliman’s Bulwagan ng Dangal.
URL:https://bulwaganngdangal.upd.edu.ph/event/spatial-territories/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Spatial-Territories-Poster.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20161010T000000
DTEND;TZID=Asia/Shanghai:20161125T235959
DTSTAMP:20260421T141818
CREATED:20240513T054503Z
LAST-MODIFIED:20240525T063520Z
UID:363-1476057600-1480118399@bulwaganngdangal.upd.edu.ph
SUMMARY:Fast Fashion: The Dark Side of Fashion
DESCRIPTION:The fashion weeks in Paris\, Milan\, London and Berlin not only attract journalists\, bloggers\, buyers and celebrities. Models parade around in outfits that are\, more or less\, suitable for everyday wear\, orchestrating designs and breathing life into them for a few moments on the catwalk. Glossy magazines\, blogs and TV shows report on the latest looks\, must-haves and It-pieces. \nBut where does it come from\, this fashion that makes the transition from the catwalk to the stores\, from prototype to mass production\, in the course of just a few weeks? Where is it manufactured\, under what conditions and by whom? How is it that items of clothing can be so cheap? Answers to these questions can be found in this exhibition. \nImages of seamstresses on the brink of exhaustion\, collapsed factory buildings with hundreds of dead – the shady side of a glamorous business. Using the manufacturers as scapegoats would be too simple. In many developing countries\, the textile industry is seen as pioneering\, capable of attracting many other fields of industry\, in other words\, as making a contribution to gradually improving standards of living. Then again\, the textile industry situation in Europe has changed. There are hardly any weaving mills or clothing manufacturers left. \nBesides its economic effects\, mass consumption also has an ecological impact. It harms the environment and mankind permanently – from raw materials such as cotton being marred by pesticides\, water consumption\, to the use of chemicals in production and even toxic refinement on clothing. How can we avoid this kind of dilemma? Should we forgo fashion? Surely not. As the show and the exhibition portal demonstrate\, there are already alternatives – from sustainably produced fashion to upcycling concepts\, new fibers and innovative technologies. \nThe Goethe-Institut Philippinen in partnership with the College of Home Economics\, UP Diliman (UP CHE) presents FAST FASHION\, an exhibition on the dark side of the fashion industry. \nPart of Goethe-Institut’s larger Ikat/eCut project\, FAST FASHION is an exhibition by the Museum für Kunst und Gewerbe Hamburg made possible by Karin Stilke Stiftung + DBU Deutsche Bundesstiftung Umwelt. \nCurated by Dr. Claudia Banz of the Museum for Arts and Crafts\, Hamburg (Museum für Kunst und Gewerbe Hamburg).
URL:https://bulwaganngdangal.upd.edu.ph/event/fast-fashion-the-dark-side-of-fashion/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Fast-fashion-The-Dark-SIde-of-Fashion-Pic-1-rotated.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20160809T000000
DTEND;TZID=Asia/Shanghai:20160831T235959
DTSTAMP:20260421T141818
CREATED:20240513T053626Z
LAST-MODIFIED:20240525T063544Z
UID:391-1470700800-1472687999@bulwaganngdangal.upd.edu.ph
SUMMARY:Punla: Indigenous Children of the Land
DESCRIPTION:This exhibit revolves and focuses upon the lives of the indigenous youth and children in contemporary times. One can see images from the mundane things that young people do such as playing\, helping their parents in agricultural work\, making crafts and other daily activities. Some of these photographs show children and youth while in school either located in their communities or far away where they have to walk or use different types of transportation just to get to school. It also features children and youth who were displaced from their communities and suffer disruption of their simple lives and schooling. This can be seen in pictures of evacuation areas where the lives of young people are the primary consideration why families and communities are forced to seek refuge as their communities are attacked by the military and paramilitary groups because of their staunch opposition against destructive projects (e.g. mining) and their alleged support for the New People’s Army (NPA). \nWith this exhibit\, the Philippine Task Force for Indigenous Peoples’ Rights (TFIP) and the SIKLAB Philippine Indigenous Youth Network\, aim to show the real situation of indigenous youth. While their communities and environment are conducive for them to enjoy their youth\, their caprices\, and their learning of life and culture as indigenous peoples\, they are deprived of basic needs and rights that must be accorded to them by the state and Filipino society as a whole. Indigenous children and youth bear the brunt of the historical neglect in the provision of social services\, especially education and health.
URL:https://bulwaganngdangal.upd.edu.ph/event/punla-indigenous-children-of-the-land/
LOCATION:Bulwagan ng Dangal Atelyer Gallery
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/PUNLA-Poster-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20160611T000000
DTEND;TZID=Asia/Shanghai:20160625T235959
DTSTAMP:20260421T141818
CREATED:20240513T051152Z
LAST-MODIFIED:20240525T063604Z
UID:387-1465603200-1466899199@bulwaganngdangal.upd.edu.ph
SUMMARY:Sa Timyas ng Paglaya
DESCRIPTION:Sa Timyas ng Paglaya is an exhibition of works by political prisoners: activists arbitrarily arrested\, detained\, and facing either political or false criminal charges for their work in community organizing among the poor. They are among the 543 political prisoners are currently held captive by the state. \nThe exhibit features 130 works—ranging from paintings to handicrafts and poetry—by Rene Boy Abiva\, Tirso Alcantara\, Sandino Esguerra\, Renante Gamara\, Voltaire Guray\, Alan Jazmines\, Maricon Montajes\, Billy Morado\, Hermogenes Reyes Jr.\, Gerald Salonga\, Eduardo Sarmiento\, Randy Vegas and Rex Villaflor. Retrieved from prisons and personal collections throughout Manila\, Cagayan\, Batangas\, Bicol\, and Samar\, the works hold a wealth of stories about the struggle within and against captivity\, on both personal and collective scales.
URL:https://bulwaganngdangal.upd.edu.ph/event/sa-timyas-ng-paglaya/
LOCATION:Bulwagan ng Dangal Atelyer Gallery
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Sa-Timyas-ng-Paglaya-Poster--scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20160505T000000
DTEND;TZID=Asia/Shanghai:20160520T235959
DTSTAMP:20260421T141818
CREATED:20240513T050648Z
LAST-MODIFIED:20240527T021127Z
UID:379-1462406400-1463788799@bulwaganngdangal.upd.edu.ph
SUMMARY:Recovering FC: Space and Memory
DESCRIPTION:As flames consumed our beloved Faculty Center\, the UP community came together to mourn the loss of not just a building but an entity that\, to us\, was very much alive – we deplored the loss of knowledge\, memories\, and chronicles so dear to both students and teachers alike. \nMore than the doors\, more than the halls\, and more than the fire\, the Faculty Center was\, and continues to be the quintessence of a dynamic dwelling. We invite you to once again feel the vigor of this place as we take you through its yesterdays and into its tomorrows. From salvaged books and research to various mementos\, this exhibit harmonizes the chaos of recent events and presents to you a space where the spirit of FC continues to thrive.\n\nRecovering FC: Space and Memory is an exhibit by the students of Art Studies 195 AY 2015-2016 2nd Semester as an effort to rebuild the spirit of this edifice through the memories that are recalled by the faculty\, staff\, and students. Everyone will be encouraged to contribute to a timeline of a co-produced FC history featuring excerpts from recent articles by Randy David\, Dr. Jose Dalisay Jr.\, Elizabeth Lolarga and Gerardo Sicat. The exhibit will also showcase works and photographs by Manix Abrera\, Zeus Bascon\, Cai Antonio & Alyssa Lizardo\, Vermont Coronel Jr.\, Alfred Crisologo\, Dr. Jose Dalisay Jr.\, Kin Enriquez\, Kenneth Gutlay\, Eloi Hernandez\, Veronica Laurel\, Gabriela Lee\, Vim Nadera\, and Jiru Rada.
URL:https://bulwaganngdangal.upd.edu.ph/event/recovering-fc-space-and-memory/
LOCATION:Bulwagan ng Dangal Main Hall and Atelyer Gallery
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/recovering-fc.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20160426T000000
DTEND;TZID=Asia/Shanghai:20160518T235959
DTSTAMP:20260421T141818
CREATED:20240513T050223Z
LAST-MODIFIED:20240604T053708Z
UID:375-1461628800-1463615999@bulwaganngdangal.upd.edu.ph
SUMMARY:Human Seascape
DESCRIPTION:Human Seascape \n“Human Seascape” is based on my years-long journey that took place in the seas surrounding Japan\, Korea and the Philippines mainly along the Kuroshio and Tsushima Warm currents\, exploring lives and worldviews inspired by people who live with the sea. \nThe exhibition consists of video work and documents and a series of photographic diary I have produced\, and a series of drawings done by the people I have encountered with throughout the course of my exploration. \nFor me\, they are one of the most inspiring living examples of ways of human being that extends our idea of what human is with their very presence beyond existing restrictions we tend to impose on ourselves in contemporary society\, a fertile color of spectrum called human that provides me a conceptual compass to explore human experience. I have produced and internationally exhibited a series of works that stemmed from deeply engaging with specific persons I encounter with through the course of my exploration. \nI devote myself to capturing the human seascape in which human beings exist solely with their given body and soul in the condition where life and death constantly washes over you as one irresistible wave in a boundless ocean. I believe such a “lifescape” exists simultaneously beyond time\, and in every immediate moment that passes by. For me\, it is an ontological quest\, before\, after and beyond all. \nIt all started about six years ago as I came across an old photo taken more than 60 years ago\, depicting two Japanese female divers standing and gazing out to sea. I was totally gravitated into the way two human beings seem totally being harmonized with the surrounding natural environment. \nSince then\, I have been exploring the life culture of female free divers known as Ama in Japan and Jamu-su or Haenyeo in Jeju and Korea. \nIn 2013\, I came across an essay written by Professor Cynthia Neri Zayas entitled “Ama (women divers) culture as a relic linking maritime Philippine culture.” \nThis imaginative essay has greatly encouraged me to expand my focal point of the fishery tradition currently practiced in the strait between Korean and Japan into something being part of much wider current of maritime human practice and has inspired me to envision a grand seascape that may unfold imaginative trail of journey all the way to the Southern seas. \nTo me\, what is suggested in her essay is a worldview seen from the sea\, inherited by the divers who are living embodiment of the life culture that originates in the sea\, nurtured by the sea and carried by tides and currents beyond restriction of borders. \nThe divers\, in their everyday lives and workings\, embody tolerance and visceral human experience\, as if transmitting ancient memory through their body\, what Professor Zayas might have described as “knowledge heritage” in her essay. \nSince 2015\, having their historical and possible ancestral linkage as a guide post\, I extended my field of exploration into the seas in the Southeast Asian region where I started off by visiting Ayoke Island in Surigao Del Sur where they practice small scale fishery that involves free diving\, as well as Matina Aplaya Bajau Comminty in Davao. \nI will be returning to both of the places this spring during my three-month long research project in an attempt to find a new form of language\, be it visual\, sound or bodily\, that speak of a world view seen from the sea that I am experiencing through my exploration\, and to keep imagining the world beyond that. \n-Terue Yamauchi \nAdditional details and pictures here: https://www.pssc.org.ph/wp-content/pssc-archives/Aghamtao/2016/3-rfz-Terue.pdf 
URL:https://bulwaganngdangal.upd.edu.ph/event/human-seascape/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Human-Seascape-Poster.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20160405T000000
DTEND;TZID=Asia/Shanghai:20160412T235959
DTSTAMP:20260421T141818
CREATED:20240513T043926Z
LAST-MODIFIED:20240527T021205Z
UID:370-1459814400-1460505599@bulwaganngdangal.upd.edu.ph
SUMMARY:SAMIN
DESCRIPTION:SAMIN is a multimedia exhibit by UP ACTS created with the question in mind: “what is Filipino fashion?” UP ACTS recognizes the problem in the difficulty of answering that question and relates it to the often grey interpretation of what the Filipino national identity is. Samin in Cebuano means\, “mirror” and is also meant to be a play on the words\, “sa” + “amin”. Through various artworks\, photographs\, and installations\, the exhibit will be an intermingling of art and fashion that invites viewers to think about their perception of Filipino fashion in a contemporary context and how that reflects upon their self\, society\, and our national identity. It is not intended to give an answer to the question\, but ultimately inspire an interest in discovering what makes Filipino fashion ours in such a global and dynamic field. \nAlongside the main theme\, this exhibit will also serve as an avenue for local Filipino artists to showcase their work and reach a wider audience. In addition\, a space in the exhibit will feature UP ACTS and promote its four main thrusts: design\, management\, production\, and research.
URL:https://bulwaganngdangal.upd.edu.ph/event/samin/
LOCATION:Bulwagan ng Dangal Main Hall and Atelyer Gallery
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Samin-Poster.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20160218T000000
DTEND;TZID=Asia/Shanghai:20160318T235959
DTSTAMP:20260421T141818
CREATED:20240513T043110Z
LAST-MODIFIED:20240525T063737Z
UID:354-1455753600-1458345599@bulwaganngdangal.upd.edu.ph
SUMMARY:Batang Lumad: Children of the Soil
DESCRIPTION:This collaborative exhibit is produced in response to the situation faced by the displaced children among the indigenous Lumad peoples of Mindanao. Thousands of Lumads have been driven away from their communities and ancestral lands in Mindanao. It is a reminder of how the Lumads’ story and aspirations for land\, life and justice is still an unfinished one\, and how our solidarity with their struggle continues up to now. \nThe Lumads’ voices must be heard. \n– Lisa Ito
URL:https://bulwaganngdangal.upd.edu.ph/event/batang-lumad-children-of-the-soil/
LOCATION:Bulwagan ng Dangal Atelyer Gallery
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Batang-Lumad-Poster.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20160201T000000
DTEND;TZID=Asia/Shanghai:20161007T235959
DTSTAMP:20260421T141818
CREATED:20240603T072301Z
LAST-MODIFIED:20240603T073555Z
UID:928-1454284800-1475884799@bulwaganngdangal.upd.edu.ph
SUMMARY:Tao at Tahan: Citizen Refugees\, Contentious Histories
DESCRIPTION:
URL:https://bulwaganngdangal.upd.edu.ph/event/tao-at-tahan-citizen-refugees-contentious-histories-2/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20150217T000000
DTEND;TZID=Asia/Shanghai:20150331T235959
DTSTAMP:20260421T141818
CREATED:20240516T030608Z
LAST-MODIFIED:20240527T011103Z
UID:526-1424131200-1427846399@bulwaganngdangal.upd.edu.ph
SUMMARY:Mario VA Parial: Beyond Reality
DESCRIPTION:Over a hundred works of Mario VA Parial comprise the artist’s retrospective exhibition at the Bulwagan ng Dangal in UP Diliman\, Quezon City\, from February 17 to March 31\, 2015. \nOrganized by the University Theater Complex in celebration of UP Diliman Month and National Arts Month\, the retrospective is entitled Mario VA Parial: Beyond Reality. The exhibit presents more than four decades of his love affair with painting\, printmaking and photography. Prof. Rubén D.F. Defeo\, exhibition curator\, sums it up: “In Parial’s mind and hands\, photography\, printmaking and painting come together as a glorious triumvirate.” \nParial’s art covers religious paintings and genre works\, figurative art and portraiture\, landscapes and still life\, prints and mediated photographs and other artistic perambulations. The works have been loaned from various institutional and private collections to reconstruct one of the most colorful successful careers in Philippine Art. \nThe retrospective exhibition coincides with the launching of the sui generis book on the artist\, also entitled Mario VA Parial: Beyond Reality\, authored by the curator and published by Phinma Foundation\, Inc. \nParial was born on August 13\, 1944 in Gapan\, Nueva Ecija. He obtained his bachelor of fine arts in 1969 from the then College of Architecture and Fine Arts of the University of Santo Tomás where he taught after graduation. In the 1990s\, he was invited to the faculty of the UP College of Fine Arts to teach printmaking. He died on December 22\, 2013. \nHighlight of the retrospective exhibition is a formal tribute to feature remembrances of Parial as painter\, printmaker\, photographer\, and professor by people from the arts\, business and academe to close the exhibit. \n-Louise Parial
URL:https://bulwaganngdangal.upd.edu.ph/event/mario-va-parial-beyond-reality/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/mario-va-parial-poster.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20140524T000000
DTEND;TZID=Asia/Shanghai:20140624T235959
DTSTAMP:20260421T141818
CREATED:20240517T031931Z
LAST-MODIFIED:20240525T060750Z
UID:562-1400889600-1403654399@bulwaganngdangal.upd.edu.ph
SUMMARY:Sinag Microfunds’ Dreams on Canvas
DESCRIPTION:An innovative Sinag project is “Dreams on Canvas\,” the group exhibition featuring 25. It is up until June 24 at the Bulwagan ng Dangal\, UP Main Library\, Diliman\, Quezon City. \nSinag Marketing Director Margaret Yarcia said when the Sinag team discussed their fundraising projects\, they agreed that these shouldn’t be charity (one-way) affairs. “We want supporters to bring home something as they contribute to our advocacy of helping students in need. ‘Dreams on Canvas’ involved all of us where we discussed what kind of people compose our organization: young\, driven\, passionate. We didn’t want to stray from our interests in arts and crafts\, health\, fitness\, good food and music.” \nWhy an art show? Yarcia explained\, “Owning a piece of art is special. It carries an artist’s time\, passion\, creativity and ideas all captured in a piece of canvas\, paper or wood. In essence\, they’re sharing a part of themselves to the new owners. That the sale will help keep students in school comes as a great bonus.” \nWrite-up from Elizabeth Lolarga of VERA Files
URL:https://bulwaganngdangal.upd.edu.ph/event/sinag-microfunds-dreams-on-canvas/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Poster.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20130207T000000
DTEND;TZID=Asia/Shanghai:20130331T235959
DTSTAMP:20260421T141818
CREATED:20240516T020541Z
LAST-MODIFIED:20240525T060825Z
UID:556-1360195200-1364774399@bulwaganngdangal.upd.edu.ph
SUMMARY:New Acquisitions
DESCRIPTION:The French philosopher and art critic Denis Diderot states: “Happiest are the people who give most happiness to others.” This statement is most true and palpable in this exhibition. All the artists included in this collection have generously given more than a fair share of what they do best: their art. In turn\, the University of the Philippines proudly presents their works in an exhibition of this scale\, affording the artists the opportunity to genuinely share their artistic gifts and ideas with the viewing public at large. \nIn bequeathing to the University of the Philippines works they themselves selected to mark individual milestones in their artistic and professional careers\, they have made the institution richer in terms of the vivacity of spirit the works construe\, the vitality of sensibilities they confront and the vibrancy of styles they celebrate. \nArt as donation\, performed by the artists themselves and endowed to a university teaching museum constitutes the highest form of altruism. For indeed\, the best way to find onself\, to paraphrase Mahatma Gandhi\, is to lose oneself “in the service of others.” The very act of donation is a reflection of the artists’ magnanimity to commit their works to depend and embolden the academic mission of the University as a cultural and heritage repository. \nThe University commits itself to ensure that these works are constantly viewed\, reviewed\, and re-reivewed in systematic exhibitions and scholarly discourses to address the changing polemics of Philippine Art History.
URL:https://bulwaganngdangal.upd.edu.ph/event/new-acquisitions/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/New-Acquisitions-Invitation.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20130207T000000
DTEND;TZID=Asia/Shanghai:20130306T235959
DTSTAMP:20260421T141818
CREATED:20240516T021110Z
LAST-MODIFIED:20240525T060846Z
UID:559-1360195200-1362614399@bulwaganngdangal.upd.edu.ph
SUMMARY:Traces of Sadness and Sentimientos Filipinos: A Selection
DESCRIPTION:Tomas Javier Calvillo Unna responds to the complex and multivalent realities of our world in both his personality and intellect. An accomplished writer and poet\, with works in his native Spanish translated to English and Filipino\, one of his most recent collection of poetry “Filipinas\, textos cercanos\,” was published in 2010 during his second year in the Philippines as Ambassador of Mexico. Calvillo Unna’s poetry is poignant\, marked with sadness at the tragedies that have plagued our shared humanity\, yet declining judgment and transcending bitterness. His work is meditative\, intuitive and impressionistic. One can sense this sorrow\, and passion when he speaks\, engaging and never distant. A subtle twinkle in his eye\, and the hint of a grin will preface the wry sense of humor that will eventually reveal the warmth and easy-going nature which friends enjoy. His paintings are the visual manifestation of his poetry\, resonating with the full range of expression that his words carry.
URL:https://bulwaganngdangal.upd.edu.ph/event/traces-of-sadness-and-sentimientos-filipinos-a-selection/
LOCATION:Bulwagan ng Dangal Atelyer
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Traces-of-Sadness-and-Sentimientos-Filipinos-A-Selection-Invitation.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20120705T000000
DTEND;TZID=Asia/Shanghai:20120930T235959
DTSTAMP:20260421T141818
CREATED:20240518T123117Z
LAST-MODIFIED:20240525T061830Z
UID:549-1341446400-1349049599@bulwaganngdangal.upd.edu.ph
SUMMARY:Norberto Carating: Artist Collection in Retrospect
DESCRIPTION:Abstract artist Norberto Carating shares his life story. Norberto Carating: Artist Collection in Retrospect opens July 5 at Bulwagan ng Dangal at the University Library in UP Diliman. The exhibition features the private collection of artist Norberto de Guzman Carating spanning 45 years of his painting career. \nAn icon in Philippine Non-Representational Art\, Carating is best known for his large\, square canvases and the use of the medium acrylic\, more recently in metallic. The collection comprises some 50 works that are “a signpost in the traffic of his life.” Prof. Ruben D.F. Defeo\, in the accompanying book-catalogue writes: “In making public his collection\, Carating desires his viewers to accompany him as he walks through the depots and detours in his personal and professional life. He purposely selected and kept the pieces in the collection to point to the various axes of his journey.” \nWrite-up from What’s Up? (July-August 2012 Issue)
URL:https://bulwaganngdangal.upd.edu.ph/event/norberto-carating-artist-collection-in-retrospect/
LOCATION:Bulwagan ng Dangal Atelyer
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Norberto-Carating-Invitation.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20120417T000000
DTEND;TZID=Asia/Shanghai:20120620T235959
DTSTAMP:20260421T141818
CREATED:20240518T123105Z
LAST-MODIFIED:20240525T073738Z
UID:554-1334620800-1340236799@bulwaganngdangal.upd.edu.ph
SUMMARY:The University of the Philippines: An Educational Heritage Site
DESCRIPTION:In 2008\, the Philippine republic gifted UP\, by way of an amendment of the very charter that created the institution in 1908\, the status of being the national university in the Philippines for its trailblazing role in advancing the cause of higher education through excellent academic program\, cutting edge research and exemplary public service. \nThe 35 prints\, sketches and drawings of the various campuses are handsome portraits of the University that generously depict its vastness and illustrious history. Done by alumni and student artists of the College of Fine Arts — one of the pioneering units of UP and the oldest school of fine arts in the country\, the collection foregrounds the University as an educational heritage site in the Philippines\, presenting a rich legacy of buildings and artworks of national import and renown. Texts serve as contextual pivots in the continuing narrative of the University and the nation.
URL:https://bulwaganngdangal.upd.edu.ph/event/the-university-of-the-philippines-an-educational-heritage-site/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/DSC_0015-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20120213T000000
DTEND;TZID=Asia/Shanghai:20120309T235959
DTSTAMP:20260421T141818
CREATED:20240517T031617Z
LAST-MODIFIED:20240525T061013Z
UID:551-1329091200-1331337599@bulwaganngdangal.upd.edu.ph
SUMMARY:Ofelia Gelvezon-Tequi: Paintings & Prints
DESCRIPTION:The exhibit featured Téqui’s works from the 1980s to early 2000. Titles of some of her masterpieces are: Tropical Baroque (1983\, engraving on copper)\, Sudarium (1984\, etching/viscosity colour printing)\, St. Ofelia (1984\, etching/viscosity colour printing)\, Detail from the Sta. Ofelia Cycle (1985\, etching/viscosity colour printing)\, Where Why How (1995\, acrylic on rag paper)\, Ode (1996\, acrylic on linen)\, Visions of a Bodhisattva (1999\, acrylic on canvass)\, Visions of a Bodhisattva (2000\, etching/viscosity colour printing)\, and Talk to Me (2004\, collage). \nThe artist said her paintings and prints “deal with allegories of bad and good governments\, their repercussions on the common people and related themes relevant today\, Biblical scenes transposed in the Philippine setting\, as well as my Estampita prints.” \nWrite-up from Asia Research News
URL:https://bulwaganngdangal.upd.edu.ph/event/ofelia-gelvezon-tequi-paintings-prints/
LOCATION:Bulwagan ng Dangal Atelyer
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Ofelia-Invitation.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20120201T000000
DTEND;TZID=Asia/Shanghai:20120229T235959
DTSTAMP:20260421T141818
CREATED:20240515T123406Z
LAST-MODIFIED:20240526T134349Z
UID:541-1328054400-1330559999@bulwaganngdangal.upd.edu.ph
SUMMARY:Jose Joya: Artist\, Scholar\, Mentor
DESCRIPTION:At the prime of his career as an artist\, Joya was hailed as “prophet avatar of Expressionism\,” “exponent of pure painting\,” and “pillar of Philippine art.” He was the Filipino painter. The eminent art critic Leo Benesa once chronicled\, in the mid-60s\, Philippine painting was a Joya painting. \nJoya\, without doubt\, is a household name in Philippine art\, the way Juan Luna and Fernando Amorsolo might have enjoyed the distinction during their times. \nThe exhibit\, in retrospect\, presents the many avenues that Joya trekked to express his convictions and experiences as an artist\, mentor and scholar.
URL:https://bulwaganngdangal.upd.edu.ph/event/jose-joya-artist-scholar-mentor/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Cover-2.jpg
END:VEVENT
END:VCALENDAR