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X-ORIGINAL-URL:https://bulwaganngdangal.upd.edu.ph
X-WR-CALDESC:Events for Bulwagan ng Dangal University Heritage Museum - University of the Philippines Diliman
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TZID:Asia/Shanghai
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TZOFFSETFROM:+0800
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DTSTART:20150101T000000
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BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20180716T000000
DTEND;TZID=Asia/Shanghai:20180810T235959
DTSTAMP:20260421T043949
CREATED:20240529T081512Z
LAST-MODIFIED:20240529T081512Z
UID:852-1531699200-1533945599@bulwaganngdangal.upd.edu.ph
SUMMARY:Linescapes: Aestheticizing Chaos of Urban Infrastructure
DESCRIPTION:In this MFA degree exhibition\, Annie Pacaña explores the layers of meanings encrypted in the city’s urban forms as she explores linescapes\, kaleidoscapes and soundscapes. Here\, a flattening of the city is explored through photography and drawing\, and set into motion via digital media\, which are the proponent’s tools as a visual communicator. Even the city’s soundscape\, its pulse\, its irregular heartbeat\, is a multi-layered waveform creating an interference – a disruption\, a disturbance\, a displacement\, whose chaos one can come to appreciate. All the images utilized are culled from the proponent’s own travels around Metro Manila in the course of her study from 2015\, reflecting her accumulating and compounding connection with the city as she traverses it day by day on foot\, by car\, or by train.
URL:https://bulwaganngdangal.upd.edu.ph/event/linescapes-aestheticizing-chaos-of-urban-infrastructure/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Linescapes-Poster.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20180511T000000
DTEND;TZID=Asia/Shanghai:20180711T235959
DTSTAMP:20260421T043949
CREATED:20240529T081132Z
LAST-MODIFIED:20240529T081132Z
UID:849-1525996800-1531353599@bulwaganngdangal.upd.edu.ph
SUMMARY:Super Robot – Suffer Reboot
DESCRIPTION:The 70’s was a decade that expanded humanity’s horizons. In outer space\, Viking 2 lands on Mars. The world’s first test tube baby is born. Personal computers and mobile phones make their debut. Atari finds its way to many homes. Microsoft and Apple are founded. Betamax is introduced. Star Wars captures the imagination of a generation. And super robots like Voltes V\, Daimos\, Mazinger Z\, Mekanda Robo\, appear on Philippine state-controlled television. Filipino children learn to sing their Japanese theme songs by heart\, probably more so than the patriotic anthems of the Bagong Lipunan. \nThe 70’s was also a tumultuous decade. The Beatles break up. Elvis Presley dies. The Vietnam War ends. The Pol Pot and the Khmer Rouge take over Cambodia. The Jonestown Incident happens. Nixon resigns after being implicated in the Watergate Scandal. Harvey Milk\, an openly gay politician\, gets elected into office\, and is soon after assassinated. In the Philippines\, martial law is declared. The short lived Diliman Commune happens as a response to the rising cost of fuel. People talk about a boy who fell from the sky\, being thrown from a helicopter as payment for his father’s expose. A youth leader is found dead two days after he openly questions the legitimacy and credentials of the President’s daughter to head the Kabataang Baranggay in a public forum. Many others disappear. Countless others land in jail. The super robots are pulled off air after a year. A generation of children question what could be wrong\, when these super robots represent the good triumphing over tyranny and evil. \nThis is the backdrop to a young boy’s coming of age\, which becomes the material for Super Robot – Suffer Reboot\, a collection of nearly a decade’s work of Toym Imao where a curious mix of robots\, dictators\, and martial law begs the question\, does history repeat itself?
URL:https://bulwaganngdangal.upd.edu.ph/event/super-robot-suffer-reboot/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Poster-3.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20180502T000000
DTEND;TZID=Asia/Shanghai:20180628T235959
DTSTAMP:20260421T043949
CREATED:20240529T080433Z
LAST-MODIFIED:20240529T081221Z
UID:845-1525219200-1530230399@bulwaganngdangal.upd.edu.ph
SUMMARY:Kahayupan
DESCRIPTION:This MFA exhibit revolves around the notion that animals have been used as bisual metaphors for commentary of society’s ills. From the European Medieval Beastiaries\, or bound text featuring stories teaching morality to the modern political cartoons of utilizing animal figures to liken either the brazen to the problematic\, this MFA study aims to produce a visual sequential narrative of presidential faults reminiscent of Christianity’s Seven Deadly Sins. The seven presidents starting from the Marcoses reflect the duration of administration the proponent has lived and is living through to juxtapose the personal and the political. The proponent is a practicing political cartoonist\, hence the MFA study shall be rendering magnification of comics strips-type of narration\, wherein each panel holds a deadly sin and their causalities and implications. Though each panel is inherently separate and can stand alone\, the MFA study aims to render these panels as a disturbing panorama of interconnected blighted political landscapes that we have gone and we are going through.
URL:https://bulwaganngdangal.upd.edu.ph/event/kahayupan/
LOCATION:Bulwagan ng Dangal Atelyer Gallery
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Poster-2-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20180417T000000
DTEND;TZID=Asia/Shanghai:20180430T235959
DTSTAMP:20260421T043949
CREATED:20240529T080233Z
LAST-MODIFIED:20240529T080233Z
UID:842-1523923200-1525132799@bulwaganngdangal.upd.edu.ph
SUMMARY:Stopover!
DESCRIPTION:Four artists from the U.P. Master of Fine Arts program in their FA 211 class critically explore and analyze their own art practice by producing ekphrastic artworks in their show entitled Stopover. Stopover is defined as a stop at an intermediate point in one’s journey and this exhibit emphasizes each artists’ unique perspective as they explore their own life journey as artists dealing with couple-hood\, motherhood\, childhood\, and family-hood all at the same time. While Aisa Dela Cruz’s work questions society’s idea of marriage\, motherhood\, and starting a family\, Weena Espardinez’s work on the other hand is an introspective look on her domestic experience when she was a young mother with toddlers. Jake Salvador’s work deals with the creation of a wooden scooter inspired by a childhood memory while Jenny Suarez would like to explore creating a play space for adults using toy building blocks—both artworks and installations hope to trigger happy and uncomplicated memories that they want to relive and experience as adults\, now that they both have their own kids. Stopover highlights the different stages in their lives as they look back and reflect on their past that helped define their realities now.
URL:https://bulwaganngdangal.upd.edu.ph/event/stopover/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Poster-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20180302T000000
DTEND;TZID=Asia/Shanghai:20180323T235959
DTSTAMP:20260421T043949
CREATED:20240529T075657Z
LAST-MODIFIED:20240529T075839Z
UID:838-1519948800-1521849599@bulwaganngdangal.upd.edu.ph
SUMMARY:Resurfacing: Portraying Disappearances
DESCRIPTION:The exhibition titled “Resurfacing” showcases a selection of the three dimensional images of the victims of state enforced disappearances in the country from the 1970’s until the present. The works featured are hollow-cast frozen sculptures depicting victims representing each sector of society. The exhibition is the culminating creative requirement of Mr. Jose Manuel “Manolo” Sicat for his Master in Fine Arts Degree in the UP College of Fine Arts.
URL:https://bulwaganngdangal.upd.edu.ph/event/resurfacing-portraying-disappearances/
LOCATION:Bulwagan ng Dangal University Heritage Museum
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/RESURFACING-INVITE.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20180108T000000
DTEND;TZID=Asia/Shanghai:20180215T235959
DTSTAMP:20260421T043949
CREATED:20240603T072017Z
LAST-MODIFIED:20240603T072201Z
UID:926-1515369600-1518739199@bulwaganngdangal.upd.edu.ph
SUMMARY:Tao at Tahan: Citizen Refugees\, Contentious Histories
DESCRIPTION:
URL:https://bulwaganngdangal.upd.edu.ph/event/tao-at-tahan-citizen-refugees-contentious-histories/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20171020T000000
DTEND;TZID=Asia/Shanghai:20171202T235959
DTSTAMP:20260421T043949
CREATED:20240529T075358Z
LAST-MODIFIED:20240529T075848Z
UID:834-1508457600-1512259199@bulwaganngdangal.upd.edu.ph
SUMMARY:Sandaang Taon ng Aghamtao / 100 Years of Philippine Anthropology
DESCRIPTION:From its institution in the Philippines\, the discipline of anthropology participated in shaping colonial policy and engaged the public specifically in the conceptualization of the ‘peoples of the Philippines’\, shaping the way we define ourselves (the nation\, distinct ethnicities) and ‘others’.  The proposed exhibit presents a timeline of 100 years of Philippine anthropology\, and also features ‘100 personalities’ who have been influential to anthropological practice\, i.e. not necessarily only those who specifically self-identified as anthropologists\, and ranging from even before 1917\, e.g. Isabelo de los Reyes and ilustrado contributions\, to more recent luminaries.  Intellectual contributions and turning points in the history of anthropology in the Philippines (not just in U.P.) would be highlighted.  Also to be marked or showcased in the exhibit will be the archaeological and ethnographic collections of the UP Anthropology Museum.  The exhibit is researched and curated in consultation with the faculty of the UP Anthropology Department.
URL:https://bulwaganngdangal.upd.edu.ph/event/sandaang-taon-ng-aghamtao-100-years-of-philippine-anthropology/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Anthro-100-Poster.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20171014T000000
DTEND;TZID=Asia/Shanghai:20180324T235959
DTSTAMP:20260421T043949
CREATED:20240529T062613Z
LAST-MODIFIED:20240529T062613Z
UID:830-1507939200-1521935999@bulwaganngdangal.upd.edu.ph
SUMMARY:The Constantino Murals: Hidden in Plain Sight
DESCRIPTION:The Constantino Murals were created ten years ago in collaboration with TutoK\, an artists’ group that\, before disbanding\, explored the language of dissent in the visual realm. Commissioned to commemorate the execution of heroes Macario Sakay and Lean Alejandro\, the Constantino Foundation requested TutoK to paint the heroes not as extraordinary beings towering above their people but as ordinary Filipinos advancing uncommon deeds in pursuit of national freedom. The Foundation asked the artists to create works radiating subversion rather than mere militancy.  \nThe Constantino Murals will be on display in the Atelyer Gallery of the Bulwagan ng Dangal this October 14\, 2017 up to March 24\, 2018\, consistent with the project’s original premise – to counteract the process of forgetting. The Bulwagan ng Dangal is a location that speaks of Sakay’s true stature and his sacrifice. Equally important\, the exhibit is right below the U.P. Library. Even when he joined the underground\, Lean daydreamed of spending his remaining days there\, burrowing through the archives. 
URL:https://bulwaganngdangal.upd.edu.ph/event/the-constantino-murals-hidden-in-plain-sight/
LOCATION:Bulwagan ng Dangal Atelyer Gallery
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/The-Constantino-Murals-Poster-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20170908T000000
DTEND;TZID=Asia/Shanghai:20170928T235959
DTSTAMP:20260421T043949
CREATED:20240529T062321Z
LAST-MODIFIED:20240529T062321Z
UID:826-1504828800-1506643199@bulwaganngdangal.upd.edu.ph
SUMMARY:Con.Currents: Points of Sublation
DESCRIPTION:As contemporary performance aesthetics gear more and more toward the (re)presentation of the performance process as crucial\, if not\, central to the totality of the performance experience – from Brecht to Boal\, to Bourriard to Ranciere – Con.Currents attempts to interrogate as well as capture the flow and transformation of ideas\, bodies and narratives through collaborative/creative-curatorial performance-making\, conversations\, and modalities of spectatorship.  \nCon.Currents converges different flows to a point of continuous unfolding in various junctures and spaces — a concurrence of ever-surging\, ever-evolving currents. Viewing the exhibit is\, therefore\, both an experience of a specific performance and yet\, also\, a moment in the performance’s unfolding — a totality that perpetually invokes continuation and is thus ever only a fraction.
URL:https://bulwaganngdangal.upd.edu.ph/event/con-currents-points-of-sublation/
LOCATION:Bulwagan ng Dangal Main Hall and Atelyer
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Con-Currents-Poster.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20170818T000000
DTEND;TZID=Asia/Shanghai:20170901T235959
DTSTAMP:20260421T043949
CREATED:20240529T061918Z
LAST-MODIFIED:20240529T061918Z
UID:822-1503014400-1504310399@bulwaganngdangal.upd.edu.ph
SUMMARY:Dissident Vicinities
DESCRIPTION:“The exhibition ‘Dissident Vicinities’ responds to moments— lived or archived—in the histories of people’s movements for liberation and rights in the Philippines. It reflects on the questions: How are people’s struggles visualised within various localities and spheres?  How do social movements\, in turn\, contribute to the visual culture of collective resistance? \nThe exhibition touches on how cultural work and production contributes to arenas of struggle. Such instances of rupture and advance across zones traditional and subaltern yield material objects as evidence of dissent: works of art\, archival materials and agitational propaganda. Let these encounters be reminders of what can and should be in this time of power writ large; in this period of looming authoritarianism\, empire guised as integration\, and climates of peril.”
URL:https://bulwaganngdangal.upd.edu.ph/event/dissident-vicinities/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/dv-socmed-MAINv4.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20170613T000000
DTEND;TZID=Asia/Shanghai:20170810T235959
DTSTAMP:20260421T043949
CREATED:20240513T072431Z
LAST-MODIFIED:20240525T062921Z
UID:520-1497312000-1502409599@bulwaganngdangal.upd.edu.ph
SUMMARY:A Man and His Relations
DESCRIPTION:Taking from the African proverb “It takes a village to raise a child”\, Cesar Legaspi’s\, second exhibition for his centennial series hinges on how forms of community including but also beyond family and home make the production of art possible. Called A Man and His Relations\, the exhibition takes place in Legaspi’s alma mater on June 13 at the University of the Philippines Bulwagan ng Dangal Museum. The exhibition assembles works from Legaspi’s family collection\, choice works of his peers from the university collection\, and interaction pieces Legaspi gamely worked on from the 1970s to 1980s with colleagues and kin. \nCesar Legaspi graduated from the UP College of Fine Arts in UP Diliman. He was one of the pioneers of the neo-realist genre in painting. A prominent member of the Thirteen Moderns\, he is widely known for his contributions to Philippine Modern Art. His style transformed Western visual grammar into localized textures and scenes enriching modern design and technique for subsequent generations of Filipino artists. He was awarded National Artist for Visual Arts in 1990. Bulwagan ng Dangal endeavours to introduce works by Legaspi and his peers to a younger generation of students and the public beyond university communities.
URL:https://bulwaganngdangal.upd.edu.ph/event/a-man-and-his-relations/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/A-Man-and-His-Relations-Poster-.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20170606T000000
DTEND;TZID=Asia/Shanghai:20170731T235959
DTSTAMP:20260421T043949
CREATED:20240513T071748Z
LAST-MODIFIED:20240525T063019Z
UID:514-1496707200-1501545599@bulwaganngdangal.upd.edu.ph
SUMMARY:Langue Lounge: Forgetory
DESCRIPTION:Jose Tence Ruiz’s LangueLounge: Forgetory is a site-specific installation that is a meditation on the cult of glib and overwhelming information over truth. LangueLounge works with image and meaning in relation to contemporary life and society. High backed chairs lined with red velvet is related to the image of high and honorable status\, of luxury and comfort that is desired and possessed. But upon closer inspection these honorable chairs turn out to be electric chairs\, and what seems to be an opulent and elegant thing is an object of torture. The work calls for closer scrutiny on what is seen and heard\, an encouragement to move out of places of comfort\, conformity\, and complacency. To be brave\, even a minute longer. \nLangueLounge: Forgetory was initially made for and exhibited at the ARTFair Philippines 2017\, and was subsequently installed at the Far Eastern University as a center piece in Hudyat\, an exhibition decrying the state of extra judicial killings and asserting the principle of human dignity. This third installation is a new iteration from previous exhibitions\, and will be installed at the Atelyer gallery of the Bulwagan ng Dangal at the University of the Philippines from 6 June to 31 July 2017.
URL:https://bulwaganngdangal.upd.edu.ph/event/langue-lounge-forgetory/
LOCATION:Bulwagan ng Dangal Atelyer Gallery
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Launge-Poster.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20170512T000000
DTEND;TZID=Asia/Shanghai:20170527T235959
DTSTAMP:20260421T043949
CREATED:20240516T124649Z
LAST-MODIFIED:20240525T063039Z
UID:504-1494547200-1495929599@bulwaganngdangal.upd.edu.ph
SUMMARY:Still / Moving
DESCRIPTION:The creation of artistic form fundamentally is a production of space. Distinct from space as a certain physical actuality\, space here is considered as something that can be artistically constructed out of traditional visual art media\, objects\, sites\, measures\, time-based and durational means\, concepts\, psycho and socio-physical interaction\, ritual\, virtual\, and broadcast technologies. Art production along these lines have had generated problems and challenges to the artist in the quest of creating meaningful form. Here\, the artists demonstrate their art process through projects focused on space that show their unique sensibility\, set skills\, and strategies. \nSTILL/MOVING presents the end of semester output of the four Master of Fine Arts students of the UP College of Fine Arts as they tackle problems in the creation of space in artmaking in FA 215 under Professor Katti Sta. Ana.
URL:https://bulwaganngdangal.upd.edu.ph/event/still-moving/
LOCATION:Bulwagan ng Dangal Atelyer Gallery
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/STILL-MOVING.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20170508T000000
DTEND;TZID=Asia/Shanghai:20170522T235959
DTSTAMP:20260421T043949
CREATED:20240517T064409Z
LAST-MODIFIED:20240525T063112Z
UID:508-1494201600-1495497599@bulwaganngdangal.upd.edu.ph
SUMMARY:Multiple Modalities
DESCRIPTION:
URL:https://bulwaganngdangal.upd.edu.ph/event/multiple-modalities/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Multiple-Modalities-Poster-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20170417T000000
DTEND;TZID=Asia/Shanghai:20170429T235959
DTSTAMP:20260421T043949
CREATED:20240517T064525Z
LAST-MODIFIED:20240527T015703Z
UID:591-1492387200-1493510399@bulwaganngdangal.upd.edu.ph
SUMMARY:TAWID: Design Beyond Borders
DESCRIPTION:TAWID: Design Beyond Borders aims to elevate the quality of life and growth of the children through the provision of distinct furniture pieces and interactive accessories designed primarily for them. Taking on an interdisciplinary approach\, the project touches on collaborative design to establish the concept of building bridges with other disciplines\, all towards the greater goal of a better life for the poorest children of Metro Manila. \nThis exhibit\, organized by UP Interior Design Class of 2017\, is for the benefit of Tulay ng Kabataan\, a foundation dedicated to serve and care for the street children of Metro Manila.
URL:https://bulwaganngdangal.upd.edu.ph/event/tawid-design-beyond-borders/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/17855543_1370132549733941_2049507616470957969_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20170404T000000
DTEND;TZID=Asia/Shanghai:20170427T235959
DTSTAMP:20260421T043949
CREATED:20240513T065028Z
LAST-MODIFIED:20240527T021010Z
UID:498-1491264000-1493337599@bulwaganngdangal.upd.edu.ph
SUMMARY:RE-PLACE: Mapping the Story of FC
DESCRIPTION:April 1\, 2016: a fire blazed the Faculty Center\, destroying generations worth of archives\, book collections\, cherished mementos\, and invaluable research notes. In the wake of the first-year anniversary\, the emotional aftershocks felt by the UP CAL and CSSP community of professors\, administrative and support staff\, and students continue to linger on. Bearing the gravity of this weight in the hopes of ultimately healing\, the exhibit explores the narratives of loss and responses to the FC fire as a process of salvaging history. \nNegotiations of spatial belonging are physical\, psychological\, and social. There is an attempt to map out a “sense of place” of individual as well as collective displacements and losses\, struggles\, and breakthroughs. With the hub of radicalism\, intellectual zeal and endless discussion reduced to priceless memories\, what are the surrogate spaces of coping which emerged in the aftermath of the fire? How is an awareness and recognition of “place” crucial to a broader understanding of UP history and trajectory? \nSynergism exists between the process of healing and a counterflow of recollections\, unfolding a timeline of mini-narratives linked together to form the larger story of FC. Along with the exhibition of interactive art\, and published memories\, the timeline encourages the community’s on-site insertions\, propelling everyone to move forward with an outlet of desires for renewal and rebuilding.
URL:https://bulwaganngdangal.upd.edu.ph/event/re-place-mapping-the-story-of-fc/
LOCATION:Bulwagan ng Dangal Atelyer Gallery
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Re-Place-Mapping-the-Story-of-FC-Invitation.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20170307T000000
DTEND;TZID=Asia/Shanghai:20170328T235959
DTSTAMP:20260421T043949
CREATED:20240516T044131Z
LAST-MODIFIED:20240525T063216Z
UID:490-1488844800-1490745599@bulwaganngdangal.upd.edu.ph
SUMMARY:Karga Karga
DESCRIPTION:From the perspective of the urban condition\, Karga Karga explores the density and excess of human life and the spaces we inhabit. In cities\, people are literally stacked on top of each other\, may it be in the form of high rise condominiums or make-shift housing under bridges or empty lots. Yet\, for all the surplus things that inundate everyday life\, there is also an absence of the feelings of fulfillment and contentment. From this critique of deplorable living conditions\, the installation seeks to monumentalize adaptability and resourcefulness in the face of limitation. It invites us to examine the process and choices made behind these arrangements which could possibly point us to a transgressive view of life and work in the city. That in rising and facing predicaments\, to take things into one’s own hands\, is also a form of resistance in an increasingly oppressive and stifling world.
URL:https://bulwaganngdangal.upd.edu.ph/event/karga-karga/
LOCATION:Bulwagan ng Dangal Atelyer Gallery
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Karga-Karga-Pic-3.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20170228T000000
DTEND;TZID=Asia/Shanghai:20170303T235959
DTSTAMP:20260421T043949
CREATED:20240516T110151Z
LAST-MODIFIED:20240525T074127Z
UID:496-1488240000-1488585599@bulwaganngdangal.upd.edu.ph
SUMMARY:Kwentong Katha
DESCRIPTION:Salvaging Histories \nAs part of the UP Writers Club’s plans to showcase its rich literary history\, the Club made the effort to sift through its tangled past\, delving the various activities of the Club in years past. \nWhile there is much to be gleaned in the way the Club was ever-present in the consciousness of the UP community\, the unfortunate reality is that this information is lucky to survive to this age. What we have done to compensate is reproduce and reconstruct as many of these articles as best we can — an apt metaphor of our attempts to make sense of a muddled and confused past\, a history whose facts have been distorted by memory and age. \nOur hope is to give the audience insight into the difficult process of salvaging the past — of trying to capture as many of these brief snapshots of UP Writers Club history before they disappear and of recovering the story of the UP Writers Club from obscurity. \nKwentong Katha tells the history of the UP Writers’ Club through the editions of its literary folio The Literary Apprentice.
URL:https://bulwaganngdangal.upd.edu.ph/event/kwentong-katha/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/16804262_10154410410210753_7170461363477637224_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20170215T000000
DTEND;TZID=Asia/Shanghai:20170228T235959
DTSTAMP:20260421T043949
CREATED:20240516T042531Z
LAST-MODIFIED:20240525T063342Z
UID:429-1487116800-1488326399@bulwaganngdangal.upd.edu.ph
SUMMARY:Resonance and Transformations
DESCRIPTION:RESONANCE & TRANSFORMATIONS\, an exhibition of selected works from the University of the Philippines Art Collection.
URL:https://bulwaganngdangal.upd.edu.ph/event/resonance-and-transformations/
LOCATION:Bulwagan ng Dangal Atelyer Gallery
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Resonance-Pic-1-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20170131T000000
DTEND;TZID=Asia/Shanghai:20170210T235959
DTSTAMP:20260421T043949
CREATED:20240513T060121Z
LAST-MODIFIED:20240525T063409Z
UID:424-1485820800-1486771199@bulwaganngdangal.upd.edu.ph
SUMMARY:reading Maceda\, PRELUDE
DESCRIPTION:reading Maceda\, PRELUDE is an exhibit that attempts to summarize some of the key theories used by Maceda in his compositions — Technology\, Nature/Environment\, Space/Atmosphere and Time. Text from Maceda’s writings\, composition analysis by National Artist for Music Ramon P. Santos\, images\, scores\, audio files\, and music instruments are to be used to illustrate these theories. This exhibit also serves as a framework for participating artists\, composers and scholars in creating their work for the main exhibit later in 2017\, titled “ATTITUDE of the MIND.” \nCurator: Ms. Dayang Mnt Yraola\nGraphics: Amihan Animation Studio\nExhibit Assistant: Carl Tolosa\nResearcher: Roan Opiso\nConsultants: Dr. Verne de la Peña and National Artist Dr. Ramon P. Santos \nWith the support of the University of the Philippines\, the UP Vargas Museum\, and Pioneer Studios and media partner Agimat: Sining at Kulturang Pinoy
URL:https://bulwaganngdangal.upd.edu.ph/event/reading-maceda-prelude/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Reading-Maceda-Poster-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20170113T000000
DTEND;TZID=Asia/Shanghai:20170128T235959
DTSTAMP:20260421T043949
CREATED:20240516T040735Z
LAST-MODIFIED:20240525T063430Z
UID:411-1484265600-1485647999@bulwaganngdangal.upd.edu.ph
SUMMARY:Restorative
DESCRIPTION:RESTORATIVE is a collaborative exhibition honoring the traditional healing methods and culture of the Ivatan people\, an indigenous group at the extreme north of the Philippines. Whether one is a manuvatuva\, a mangaptus or a mamiyay\, they perform a curative and uplifting function in Ivatan society and culture. They are invisible threads that bind and regenerate aspects of the Ivatan identity.
URL:https://bulwaganngdangal.upd.edu.ph/event/restorative/
LOCATION:Bulwagan ng Dangal Atelyer Gallery
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Restorative-Poster.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20161203T000000
DTEND;TZID=Asia/Shanghai:20161216T235959
DTSTAMP:20260421T043949
CREATED:20240513T055005Z
LAST-MODIFIED:20240525T063450Z
UID:397-1480723200-1481932799@bulwaganngdangal.upd.edu.ph
SUMMARY:Spatial Territories
DESCRIPTION:Renowned geographer Carl Sauer lamented the lack of vocabulary to describe space\, a very crucial unit of geography. When words\, numbers\, and facts are naught\, images emerge as valuable sources of enlightenment. \nHow does one put a name on the sensed particularity of a space? In which realm does the space of human experience belong? The creation of artistic form is fundamentally a production of space. Distinct from space as a certain physical actuality\, space here is artistically constructed out of traditional visual art media\, objects\, virtual technologies\, new media\, ritual\, time-based\, and durational processes. \nThe exhibit will gather ten contemporary artists to produce spaces in the artists’ particular themes and media. All of them are forays into experiences of space – of miniature universes\, virtual connections\, memories\, discovery\, the psycho-spiritual\, and death. \nAll artworks were created under Katti Sta. Ana’s FA215 Class: Production of Space in Art Production (AY 2016-17) in UP Diliman’s College of Fine Art’s MFA Program\, in cooperation with UP Diliman’s Bulwagan ng Dangal.
URL:https://bulwaganngdangal.upd.edu.ph/event/spatial-territories/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Spatial-Territories-Poster.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20161010T000000
DTEND;TZID=Asia/Shanghai:20161125T235959
DTSTAMP:20260421T043949
CREATED:20240513T054503Z
LAST-MODIFIED:20240525T063520Z
UID:363-1476057600-1480118399@bulwaganngdangal.upd.edu.ph
SUMMARY:Fast Fashion: The Dark Side of Fashion
DESCRIPTION:The fashion weeks in Paris\, Milan\, London and Berlin not only attract journalists\, bloggers\, buyers and celebrities. Models parade around in outfits that are\, more or less\, suitable for everyday wear\, orchestrating designs and breathing life into them for a few moments on the catwalk. Glossy magazines\, blogs and TV shows report on the latest looks\, must-haves and It-pieces. \nBut where does it come from\, this fashion that makes the transition from the catwalk to the stores\, from prototype to mass production\, in the course of just a few weeks? Where is it manufactured\, under what conditions and by whom? How is it that items of clothing can be so cheap? Answers to these questions can be found in this exhibition. \nImages of seamstresses on the brink of exhaustion\, collapsed factory buildings with hundreds of dead – the shady side of a glamorous business. Using the manufacturers as scapegoats would be too simple. In many developing countries\, the textile industry is seen as pioneering\, capable of attracting many other fields of industry\, in other words\, as making a contribution to gradually improving standards of living. Then again\, the textile industry situation in Europe has changed. There are hardly any weaving mills or clothing manufacturers left. \nBesides its economic effects\, mass consumption also has an ecological impact. It harms the environment and mankind permanently – from raw materials such as cotton being marred by pesticides\, water consumption\, to the use of chemicals in production and even toxic refinement on clothing. How can we avoid this kind of dilemma? Should we forgo fashion? Surely not. As the show and the exhibition portal demonstrate\, there are already alternatives – from sustainably produced fashion to upcycling concepts\, new fibers and innovative technologies. \nThe Goethe-Institut Philippinen in partnership with the College of Home Economics\, UP Diliman (UP CHE) presents FAST FASHION\, an exhibition on the dark side of the fashion industry. \nPart of Goethe-Institut’s larger Ikat/eCut project\, FAST FASHION is an exhibition by the Museum für Kunst und Gewerbe Hamburg made possible by Karin Stilke Stiftung + DBU Deutsche Bundesstiftung Umwelt. \nCurated by Dr. Claudia Banz of the Museum for Arts and Crafts\, Hamburg (Museum für Kunst und Gewerbe Hamburg).
URL:https://bulwaganngdangal.upd.edu.ph/event/fast-fashion-the-dark-side-of-fashion/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Fast-fashion-The-Dark-SIde-of-Fashion-Pic-1-rotated.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20160809T000000
DTEND;TZID=Asia/Shanghai:20160831T235959
DTSTAMP:20260421T043949
CREATED:20240513T053626Z
LAST-MODIFIED:20240525T063544Z
UID:391-1470700800-1472687999@bulwaganngdangal.upd.edu.ph
SUMMARY:Punla: Indigenous Children of the Land
DESCRIPTION:This exhibit revolves and focuses upon the lives of the indigenous youth and children in contemporary times. One can see images from the mundane things that young people do such as playing\, helping their parents in agricultural work\, making crafts and other daily activities. Some of these photographs show children and youth while in school either located in their communities or far away where they have to walk or use different types of transportation just to get to school. It also features children and youth who were displaced from their communities and suffer disruption of their simple lives and schooling. This can be seen in pictures of evacuation areas where the lives of young people are the primary consideration why families and communities are forced to seek refuge as their communities are attacked by the military and paramilitary groups because of their staunch opposition against destructive projects (e.g. mining) and their alleged support for the New People’s Army (NPA). \nWith this exhibit\, the Philippine Task Force for Indigenous Peoples’ Rights (TFIP) and the SIKLAB Philippine Indigenous Youth Network\, aim to show the real situation of indigenous youth. While their communities and environment are conducive for them to enjoy their youth\, their caprices\, and their learning of life and culture as indigenous peoples\, they are deprived of basic needs and rights that must be accorded to them by the state and Filipino society as a whole. Indigenous children and youth bear the brunt of the historical neglect in the provision of social services\, especially education and health.
URL:https://bulwaganngdangal.upd.edu.ph/event/punla-indigenous-children-of-the-land/
LOCATION:Bulwagan ng Dangal Atelyer Gallery
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/PUNLA-Poster-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20160611T000000
DTEND;TZID=Asia/Shanghai:20160625T235959
DTSTAMP:20260421T043949
CREATED:20240513T051152Z
LAST-MODIFIED:20240525T063604Z
UID:387-1465603200-1466899199@bulwaganngdangal.upd.edu.ph
SUMMARY:Sa Timyas ng Paglaya
DESCRIPTION:Sa Timyas ng Paglaya is an exhibition of works by political prisoners: activists arbitrarily arrested\, detained\, and facing either political or false criminal charges for their work in community organizing among the poor. They are among the 543 political prisoners are currently held captive by the state. \nThe exhibit features 130 works—ranging from paintings to handicrafts and poetry—by Rene Boy Abiva\, Tirso Alcantara\, Sandino Esguerra\, Renante Gamara\, Voltaire Guray\, Alan Jazmines\, Maricon Montajes\, Billy Morado\, Hermogenes Reyes Jr.\, Gerald Salonga\, Eduardo Sarmiento\, Randy Vegas and Rex Villaflor. Retrieved from prisons and personal collections throughout Manila\, Cagayan\, Batangas\, Bicol\, and Samar\, the works hold a wealth of stories about the struggle within and against captivity\, on both personal and collective scales.
URL:https://bulwaganngdangal.upd.edu.ph/event/sa-timyas-ng-paglaya/
LOCATION:Bulwagan ng Dangal Atelyer Gallery
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Sa-Timyas-ng-Paglaya-Poster--scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20160505T000000
DTEND;TZID=Asia/Shanghai:20160520T235959
DTSTAMP:20260421T043949
CREATED:20240513T050648Z
LAST-MODIFIED:20240527T021127Z
UID:379-1462406400-1463788799@bulwaganngdangal.upd.edu.ph
SUMMARY:Recovering FC: Space and Memory
DESCRIPTION:As flames consumed our beloved Faculty Center\, the UP community came together to mourn the loss of not just a building but an entity that\, to us\, was very much alive – we deplored the loss of knowledge\, memories\, and chronicles so dear to both students and teachers alike. \nMore than the doors\, more than the halls\, and more than the fire\, the Faculty Center was\, and continues to be the quintessence of a dynamic dwelling. We invite you to once again feel the vigor of this place as we take you through its yesterdays and into its tomorrows. From salvaged books and research to various mementos\, this exhibit harmonizes the chaos of recent events and presents to you a space where the spirit of FC continues to thrive.\n\nRecovering FC: Space and Memory is an exhibit by the students of Art Studies 195 AY 2015-2016 2nd Semester as an effort to rebuild the spirit of this edifice through the memories that are recalled by the faculty\, staff\, and students. Everyone will be encouraged to contribute to a timeline of a co-produced FC history featuring excerpts from recent articles by Randy David\, Dr. Jose Dalisay Jr.\, Elizabeth Lolarga and Gerardo Sicat. The exhibit will also showcase works and photographs by Manix Abrera\, Zeus Bascon\, Cai Antonio & Alyssa Lizardo\, Vermont Coronel Jr.\, Alfred Crisologo\, Dr. Jose Dalisay Jr.\, Kin Enriquez\, Kenneth Gutlay\, Eloi Hernandez\, Veronica Laurel\, Gabriela Lee\, Vim Nadera\, and Jiru Rada.
URL:https://bulwaganngdangal.upd.edu.ph/event/recovering-fc-space-and-memory/
LOCATION:Bulwagan ng Dangal Main Hall and Atelyer Gallery
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/recovering-fc.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20160426T000000
DTEND;TZID=Asia/Shanghai:20160518T235959
DTSTAMP:20260421T043949
CREATED:20240513T050223Z
LAST-MODIFIED:20240604T053708Z
UID:375-1461628800-1463615999@bulwaganngdangal.upd.edu.ph
SUMMARY:Human Seascape
DESCRIPTION:Human Seascape \n“Human Seascape” is based on my years-long journey that took place in the seas surrounding Japan\, Korea and the Philippines mainly along the Kuroshio and Tsushima Warm currents\, exploring lives and worldviews inspired by people who live with the sea. \nThe exhibition consists of video work and documents and a series of photographic diary I have produced\, and a series of drawings done by the people I have encountered with throughout the course of my exploration. \nFor me\, they are one of the most inspiring living examples of ways of human being that extends our idea of what human is with their very presence beyond existing restrictions we tend to impose on ourselves in contemporary society\, a fertile color of spectrum called human that provides me a conceptual compass to explore human experience. I have produced and internationally exhibited a series of works that stemmed from deeply engaging with specific persons I encounter with through the course of my exploration. \nI devote myself to capturing the human seascape in which human beings exist solely with their given body and soul in the condition where life and death constantly washes over you as one irresistible wave in a boundless ocean. I believe such a “lifescape” exists simultaneously beyond time\, and in every immediate moment that passes by. For me\, it is an ontological quest\, before\, after and beyond all. \nIt all started about six years ago as I came across an old photo taken more than 60 years ago\, depicting two Japanese female divers standing and gazing out to sea. I was totally gravitated into the way two human beings seem totally being harmonized with the surrounding natural environment. \nSince then\, I have been exploring the life culture of female free divers known as Ama in Japan and Jamu-su or Haenyeo in Jeju and Korea. \nIn 2013\, I came across an essay written by Professor Cynthia Neri Zayas entitled “Ama (women divers) culture as a relic linking maritime Philippine culture.” \nThis imaginative essay has greatly encouraged me to expand my focal point of the fishery tradition currently practiced in the strait between Korean and Japan into something being part of much wider current of maritime human practice and has inspired me to envision a grand seascape that may unfold imaginative trail of journey all the way to the Southern seas. \nTo me\, what is suggested in her essay is a worldview seen from the sea\, inherited by the divers who are living embodiment of the life culture that originates in the sea\, nurtured by the sea and carried by tides and currents beyond restriction of borders. \nThe divers\, in their everyday lives and workings\, embody tolerance and visceral human experience\, as if transmitting ancient memory through their body\, what Professor Zayas might have described as “knowledge heritage” in her essay. \nSince 2015\, having their historical and possible ancestral linkage as a guide post\, I extended my field of exploration into the seas in the Southeast Asian region where I started off by visiting Ayoke Island in Surigao Del Sur where they practice small scale fishery that involves free diving\, as well as Matina Aplaya Bajau Comminty in Davao. \nI will be returning to both of the places this spring during my three-month long research project in an attempt to find a new form of language\, be it visual\, sound or bodily\, that speak of a world view seen from the sea that I am experiencing through my exploration\, and to keep imagining the world beyond that. \n-Terue Yamauchi \nAdditional details and pictures here: https://www.pssc.org.ph/wp-content/pssc-archives/Aghamtao/2016/3-rfz-Terue.pdf 
URL:https://bulwaganngdangal.upd.edu.ph/event/human-seascape/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Human-Seascape-Poster.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20160405T000000
DTEND;TZID=Asia/Shanghai:20160412T235959
DTSTAMP:20260421T043949
CREATED:20240513T043926Z
LAST-MODIFIED:20240527T021205Z
UID:370-1459814400-1460505599@bulwaganngdangal.upd.edu.ph
SUMMARY:SAMIN
DESCRIPTION:SAMIN is a multimedia exhibit by UP ACTS created with the question in mind: “what is Filipino fashion?” UP ACTS recognizes the problem in the difficulty of answering that question and relates it to the often grey interpretation of what the Filipino national identity is. Samin in Cebuano means\, “mirror” and is also meant to be a play on the words\, “sa” + “amin”. Through various artworks\, photographs\, and installations\, the exhibit will be an intermingling of art and fashion that invites viewers to think about their perception of Filipino fashion in a contemporary context and how that reflects upon their self\, society\, and our national identity. It is not intended to give an answer to the question\, but ultimately inspire an interest in discovering what makes Filipino fashion ours in such a global and dynamic field. \nAlongside the main theme\, this exhibit will also serve as an avenue for local Filipino artists to showcase their work and reach a wider audience. In addition\, a space in the exhibit will feature UP ACTS and promote its four main thrusts: design\, management\, production\, and research.
URL:https://bulwaganngdangal.upd.edu.ph/event/samin/
LOCATION:Bulwagan ng Dangal Main Hall and Atelyer Gallery
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Samin-Poster.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20160218T000000
DTEND;TZID=Asia/Shanghai:20160318T235959
DTSTAMP:20260421T043949
CREATED:20240513T043110Z
LAST-MODIFIED:20240525T063737Z
UID:354-1455753600-1458345599@bulwaganngdangal.upd.edu.ph
SUMMARY:Batang Lumad: Children of the Soil
DESCRIPTION:This collaborative exhibit is produced in response to the situation faced by the displaced children among the indigenous Lumad peoples of Mindanao. Thousands of Lumads have been driven away from their communities and ancestral lands in Mindanao. It is a reminder of how the Lumads’ story and aspirations for land\, life and justice is still an unfinished one\, and how our solidarity with their struggle continues up to now. \nThe Lumads’ voices must be heard. \n– Lisa Ito
URL:https://bulwaganngdangal.upd.edu.ph/event/batang-lumad-children-of-the-soil/
LOCATION:Bulwagan ng Dangal Atelyer Gallery
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://bulwaganngdangal.upd.edu.ph/wp-content/uploads/2024/05/Batang-Lumad-Poster.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20160201T000000
DTEND;TZID=Asia/Shanghai:20161007T235959
DTSTAMP:20260421T043949
CREATED:20240603T072301Z
LAST-MODIFIED:20240603T073555Z
UID:928-1454284800-1475884799@bulwaganngdangal.upd.edu.ph
SUMMARY:Tao at Tahan: Citizen Refugees\, Contentious Histories
DESCRIPTION:
URL:https://bulwaganngdangal.upd.edu.ph/event/tao-at-tahan-citizen-refugees-contentious-histories-2/
LOCATION:Bulwagan ng Dangal Main Hall
CATEGORIES:Exhibitions
END:VEVENT
END:VCALENDAR