As contemporary performance aesthetics gear more and more toward the (re)presentation of the performance process as crucial, if not, central to the totality of the performance experience – from Brecht to Boal, to Bourriard to Ranciere – Con.Currents attempts to interrogate as well as capture the flow and transformation of ideas, bodies and narratives through collaborative/creative-curatorial performance-making, conversations, and modalities of spectatorship.
Con.Currents converges different flows to a point of continuous unfolding in various junctures and spaces — a concurrence of ever-surging, ever-evolving currents. Viewing the exhibit is, therefore, both an experience of a specific performance and yet, also, a moment in the performance’s unfolding — a totality that perpetually invokes continuation and is thus ever only a fraction.